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Peep Show
Dreamy days and nights in the head of an introverted and isolated teenager who is swallowed in the depths of his imagination.
2026
Amor
Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.
2025
Running Fields II
Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.
2024
Womb
in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.
2023
The Sweet East
A picaresque journey through contemporary America, undertaken by a young woman granted access to the strange sects and cults that proliferate in this country by a series of gatekeepers eager to win her over.
2023
Carta al Interior de una botella
The meeting point between two comunication media: A letter written in 1929 -hidden inside the adobe walls of an old country house - and the shooting of the coutryside along the highway that connects two Chilean cities un 2018.
2019
Different Flowers
A young woman embarks on an unexpected journey with her spunky younger sister after leaving her fiancé at the altar.
2017
The Idyll
A modern adaptation of Guy de Maupassant's short story about a man and a woman sharing an unexpected encounter on a train as it travels through a beautiful and surreal landscape.
2016
Mutual Admiration Society
Surreal and mysterious, in equal parts absurd and intense, Mutual Admiration Society is part of the noted multi-film collaboration between actor James Devereaux and experimental filmmaker Rouzbeh Rashidi. Based entirely around a silent, tour-de-force one-man performance by Devereaux as a man who appears to be haunting and threatening himself, Mutual Admiration Society uses startling visual techniques and editing rhythms to create a claustrophobic hall of mirrors with Devereaux’s tormented protagonist at its centre.
2014
Jean Speck (1860-1933)
Little is known of Jean Speck (1860-1933) beyond the fact that he opened Zurich’s first cinema. Rouzbeh Rashidi and Jann Clavadetscher consider the flittering black and white ghosts and shadows that he left in his wake in their phantasmagorical experimental feature film. This journey through a cinematic night probes the very essence of the cinematic image.
2012
Persistencies of Sadness & Still Days (Take 1)
“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.
2012
Taxidermia
Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.
2006
Hope Springs
British artist Colin Ware discovers that his fiancée, Vera, is going to marry another man. Distraught and despondent, he gets on a plane for America and ends up in the tiny town of Hope in New England. At first, Colin is depressed, but he soon finds more than a shoulder to cry on when his innkeepers introduce him to Mandy, a beautiful nurse. All's going well and Colin has almost forgotten his old flame until Vera shows up with a surprise of her own.
2003
State and Main
The residents of a small Vermont town don't know what hit them when a beleaguered Hollywood film crew brings a chaotic shoot to their quaint village.
2000
Goodbye, Casanova
A aspiring novelist operates a tiny neighborhood bookstore. His wife is a talented painter. Their marriage is disintegrating, and they are about to sign their divorce papers. Meanwhile, the legendary Casanova and his lover Lavinia are characters trapped inside of a 17th-century children's book. The tragedy of the impending divorce triggers the release of Casanova and Lavinia from the confines of the children's pop-up book.
2000
Prospero's Books
An exiled magician finds an opportunity for revenge against his enemies muted when his daughter and the son of his chief enemy fall in love in this uniquely structured retelling of the 'The Tempest'.
1991
Oh! My Mother
Writes Ando, "Oh! My Mother was the first work I made using a newly bought 16mm camera I had purchased with the writer Shuji Terayama in Paris. This piece was selected for the Oberhausen International Film Festival. In 1969, there were, of course, no video cameras like ones we see now, and color TVs were only found at broadcast television studios. I had just been employed at the TBS (Tokyo Broadcasting System), and I often snuck into the studios after hours to experiment with the equipment. Oh! My Mother was made using the feedback effect, which is produced by infinitely expanding the image by looping the video."
1969
Immortelle
A man is given a letter by a stranger which causes an extreme sense of urgency to get to a very particular location. This is an experimental film that is entirely up to interpretation. The films concept was constructed by all members of the cast and crew.
Pale Autumn
In the deep of autumn, a woman faces fragments of memory and unease, unsure if she's mourning the past or herself.
Cause and Effect
Ordinary people of both sexes, and of varying ages, races and ethnicities, tell stories that sound familiar. But each is a construct to plumb reality in a considered, theoretical, and, ultimately, playful fashion, as Delson continues the filmic experimentation begun during her collaboration with Jill Godmilow an the genre-bending Far from Poland.
1988