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It depicts apocalypse concentrating on the last days of a family's catastrophic life in a prevalent winter (nuclear winter) in Iran in 2012. The notions of void and terror are dominant in the film. (The nuclear catastrophe or winter is not specifically mentioned in the short film because of the hard political situation in Iran. However, its implications exist throughout the film like their imprisonment in their claustrophobic place.) Basically, the figures are indifferent in their hard circumstances and are not able to communicate with each other.
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A business man in his 30s, with an expense account, checks into a hotel, exchanging smiles and pleasantries with the desk clerk, a woman of beauty and style. Once in his room, he listens again to a voice message on his cell phone: his lover tells him she is breaking up with him; he is not spontaneous; she has found someone else; don't call. He throws his phone down. When he reaches beneath the bed to retrieve it, he finds a Polaroid photograph of a partially nude woman posed provocatively; it includes a phone number and a sexual question. He opens a beer and stares at the photo. If he calls, what then?
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Reason Thirteen
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The Apple
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Fighting Friends
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A henpecked husband's innocent friendship with a married woman leads to chaos.
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