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Peace by Piece
Jeremy’s quiet day in the park is interrupted when he's approached Martin, a strange and enigmatic man claiming to be an actor from the future preparing to play Jeremy in a film. Martin hints at future events, leaving Jeremy to interpret how much is true. Clues are dropped, questions are raised, and Jeremy begins to realize that his own story may be more complicated than he ever expected. Shot in a single unbroken take, through the perspective of an autonomous drone, Peace by Piece follows one conversation that slowly reveals the consequences Jeremy will one day face. Like Jeremy, the audience discovers the truth, piece by piece, until the final revelation.
2026
High Voltage Superhighway
Pun-Pun, Pato, and Alvi ran away together. Their memories capture a youth full of dreams, fears, pain, and little bunnies.
2025
When Everything Was Blue
A heartfelt short narrative film that follows a family as they navigate the emotional and physical toll of a father's 9/11-related illness, all captured through the intimate lens of a home video camera.
2025
Khadima: The Caregiver
Trapped in Persian Gulf under false job promises, Janaki, a Malayali woman from Kerala, endures years of abuse but remains determined to return to her son in Kerala. Aided by a friend, she plans her escape, only to be brutally thwarted by her captors. The film reveals the resilience of caregivers facing exploitation abroad.
2025
Blitz
An elite college athlete contemplates taking Adderall as his last chance to pass a critical exam despite previously failed drug tests.
2023
Between Wolf and Dogs
A young criminal plans his first murder which will be carried out before an old man, his plan does not go as expected and takes a 180 degree turn.
2022
Branchville
A woman wanders through the woods
2021
High Score
As his personal life unravels, a burgeoning white supremacist descends into an abyss of online radicalization and extremist conspiracy theories.
2020
Ceremonia Sagrada
Two adult siblings, confined to their childhood home, live under the lingering presence of their parents, whose memory is mirrored in a portrait on the wall. They strive to preserve their existence through a “sacred ceremony” of nourishment and cleansing. Trapped in the family’s gilded cage, they become both inmates and bathers, with heightened senses that console and are consoled, faithful to rituals that have vanished from modern times, where everyone is violated by the rush of time. In a classic urban house, marked by decay, they tend to each other like young mammals in the wild— with love, with exposure, with violence, frustration, and shame.
2020
Die Pantherin
The night in a big city. A young woman walks alone on a bridge, her gaze unfathomable. She stops, hesitates briefly, then jumps to her death. Under mysterious circumstances, Mara survives the jump and wakes up dazed in hospital. The doctors are strangely reserved when she calls her boyfriend Janis. Mara flees home from the hospital, but finds a completely changed apartment where another woman has taken her place and throws Mara out of the apartment. It slowly becomes clear that no one recognizes Mara, she seems to have completely "fallen out of the world".
2016
The Happiness Salesman
Karen is resigned to a life of suburban ennui, the dreams of her youth a distant memory. On an autumn afternoon as she struggles to get her baby to sleep she is disturbed by a door-to-door Salesman. Desperate for adult companionship she engages with the enigmatic Salesman. He claims that he can sell her something that will radically change her life; he offers Karen, an opportunity to fulfill her long forgotten dreams and ambitions.
2009
Nora
"Nora" is based on true stories of the dancer Nora Chipaumire, who was born in Zimbabwe in 1965. In the film, Nora returns to the landscape of her childhood and takes a journey through some vivid memories of her youth. Using performance and dance, she brings her history to life in a swiftly-moving poem of sound and image. A girl who is constantly embattled - struggling against all kinds of intimidation and violence - but who slowly gathers strength, pride and independence.
2008
The Wet Season
Jocelyn works at her Uncle's 'Crying Booths' in the country, while crying is forbidden in the cities.
2002
The Hunchback of Notre Dame
The classic tale of a loveable, outcast hunchback and the gypsy girl he adores is transformed into a musical, warmhearted animated classic in this delightfully updated version of a stirring masterpiece.
1996
A Girl, She Is 100%
A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.
1983
P for Pelican
An old hermit lives in a slum and wants to teach the alphabet to the children who regularly go there to play. When a child proposes he use the word “Pelican” for the letter ‘P’, the hermit goes to the nearby park to see this animal he has never heard of.
1972
The Sixth Side of the Pentagon
Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.
1968
Hakob Hovnatanyan
Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.
1967
Antoine and Colette
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
1962
The Arrival of a Train at La Ciotat
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
1896