Waking Up is a quietly introspective short film shot entirely on location in Japan during Devereaux's first tour in the country in September and October of 2024. Filmed across Tokyo (Nakano, Ekoda, Shinjuku, Chiyoda, and along the Chuo Line), Matsumoto in Nagano, and Ukyo in Kyoto, the film captures fleeting, seemingly mundane moments that held deep personal significance for the filmmaker. Each shot captures a distinct moment when Devereaux felt his nervous system decompress just enough to be inclined to film — moments of stillness and clarity amid the motion of travel and creative exploration. Waking Up is both a poetic travelogue and a personal awakening. Echoing his own words — "When I arrived in Japan, it felt like I had finally woken up from a bad dream" — the film offers a meditative window into moments of quiet revelation, captured not for spectacle but for memory.

Standing near the reptile section in a zoo we can learn a lot about the animals on both sides of the separating glass.
2025

2023

"Yom Rishona" follows a young woman's chaotic journey to self discovery as she commemorates the day she made crucial realizations in terms of queer and Jewish identity. As Rishona celebrates a year since the day she has dubbed 'Yom Rishona,' her celebration is haunted by the heavy aspects of living as queer and Jewish.

By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.
2025

In every act of compassion, a foreign place becomes home.
2024

Whether it be doing yoga with ants, printing with plants, or considering the travels of an apple: not all teachers are human in a bustling Spanish farmhouse. While instances of interspecies care are enacted beneath the cool stone arches of this rambling structure, the ecological niches (or roles) of various beings shift along with their unexpected environmental relationships. In a heavily altered landscape composed of serrated mountains and meticulously-maintained olive groves, human intervention is readily apparent; however, sometimes trees bear knowledge in addition to green fruits, and humans shape and are shaped by their environment in equal measure.
2024

A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.
2024

2023

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.
2023

A chronicle of the first nine years of Pope Francis' pontificate, including trips to 53 countries, focusing on his most important issues - poverty, migration, environment, solidarity, and war - while also giving rare access to the public life of the pontifical.
2022

One week in the extraordinary-ordinary life of Mr. Moriyama, a Japanese art, architecture and music enlighted amateur who lives in one of the most famous contemporary Japanese architecture, the Moriyama house, built in Tokyo in 2005 by Pritzker-prize winner Ryue Nishizawa (SANAA). Introduced in the intimacy of this experimental microcosm which redefines completely the common sense of domestic life, Ila Bêka recounts in a very spontaneous and personal way the unique personality of the owner: a urban hermit living in a small archipelago of peace and contemplation in the heart of Tokyo. From noise music to experimental movies, the film let us enter into the ramification of the Mr. Moriyama's free spirit. Moriyama-San, the first film about noise music, acrobatic reading, silent movies, fireworks and Japanese architecture!
2017

Music by Austin Cesear, 16mm film by Paul Clipson.
2014

"Ephemeris" (2011) is a conversation of image and sound, between filmmaker Paul Clipson and electronic musician Aki Onda, rendered as if from a fragmented journey of landscapes and memories. Clipson and Onda each investigate very personal, intuitive spaces, through their favored technologies of Super 8mm film and cassette Walkman. Both artists base a significant emphasis of their work on performance environments, where their visual and sonic field recordings interact to create sensory collages born out of the subjective impressions of the audience.
2011

Chiba appears seven days before a person dies an unexpected death. His job is to observe the person for seven days then decide either to ‘execute’ or ‘pass over’. Today, again, in the rain, he waits. His subject, her death due in seven days, is Kazue Fujiki. She works for a manufacturing company in the complaints department. Exhausted after her day, she emerges from her office. It’s time for the Reaper to go to work.
2008

When a group of tourists stumble into the remote Australian river territory of an enormous crocodile, the deadly creature traps them on a tiny mud island with the tide quickly rising and darkness descending. As the hungry predator closes in, they must fight for survival against all odds.
2007

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.
2005

Filmed in IMAX, a team of explorers led by Pasquale Scaturro and Gordon Brown face seemingly insurmountable challenges as they make their way along all 3,260 miles of the world's longest and deadliest river to become the first in history to complete a full descent of the Blue Nile from source to sea.
2005

On Christmas Eve, three homeless people living on the streets of Tokyo discover a newborn baby among the trash and set out to find its parents.
2003
A fascinating hall of mirrors through a montage of film noir scenes where the actors face a painted portrait. This perfect blend of cinema and painting was commissioned to supplement a book study. Provost exploits the rules of editing to create an imaginary museum visit. He guides us through living rooms and picture galleries of 1940s and 1950s noir crime thrillers, gothic melodramas, and ghost stories.

When a western Pennsylvania auto plant is acquired by a Japanese company, brokering auto worker Hunt Stevenson faces the tricky challenge of mediating the assimilation of two clashing corporate cultures. At one end is the Japanese plant manager and the sycophant who is angling for his position. At the other, a number of disgruntled long-time union members struggle with the new exigencies of Japanese quality control.
1986