A study of death scenes and endings, under the Hays code era of Hollywood (1934-1968) and beyond.

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.
2025

In 2014, when Mosul, Iraq's second largest city, fell to the Islamic State, the creation of dozens of factions was seen as the solution to organize the Shiite youth who had risen up en masse to fight Daesh and protect Baghdad, which was under threat. These factions were supposed to be a temporary force. In reality, they have never been demobilized, leading the Iraqi state into ever greater instability. How did they become so strategically important in post-Daesh Iraq?
2025

Some spaces draw attention, as if they evoke something that’s about to happen. These are the places where we escape when we dream or die. The only thing that exists is time; we wait for the moment to arrive.
2024

An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.
2024

This experimental film takes a closer look through the entomologist's lens at the cyclical behavioural patterns linking humans to the insect world. Just as the fig wasp inevitably finds death in the pollination of the fig tree flower, we too are thrown into the dance of passion and death. Drawn by the seductive scent of allurement and the inevitability of the final end.
2024

2024

2024

An experimental short film that traces the emotional landscape of life after heartbreak. Through intimate narration and cinematography, the film reflects on time, healing, and the rediscovery of self. A quiet yet cinematic portrait of learning to love the stranger within, and rediscovering the beauty of simply being alive.
2024

Days slip away in a former baptist church haunted by its past
2024

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?
2023

How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.
2018

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
1933

The Nicene Creed is a profession of faith, repeated during every Celebration of the Eucharist This is followed by the Prayers of the Faithful, a series of prayer offerings wherein people respond with an invocation. Unwavering Faith is composed of religious images taken using a malfunctioning camera paired with audio from the aforementioned parts of a Sunday mass.

In recent years, more than 2,500 books have been removed from school districts around the US, labeled as banned, restricted, or challenged, and made unavailable to millions of students. By no accident, the themes targeted are the usual scapegoats of the American Right—LGBTQ+ issues, Black History, and women’s empowerment—impeding the power of future generations to develop their own thoughts and opinions on critical social issues. By weaving together a lyrical montage of young readers and authors, THE ABCs OF BOOK BANNING reveals the voices of the impacted parties, and inspires hope for the future through the profound insights of inquisitive youthful minds.
2024

Set at an artificial reservoir in North Carolina, RESERVOIR (SEVEN FRAGMENTS) is a meditation on the unnatural histories of the American environment. The film approaches both the cinematic image and the landscape it captures as damaged, estranged things—things adrift in a world of irreparable discord.
2022

“All that which in Picture is not of the body or argument thereof is Landskip, Parergon, or By-work” (Thomas Blount, Glossographia, 1656).
2022

This film from Bill Moyers is the first documentary to focus exclusively on people formerly detained in New York City’s notorious Rikers Island Jail. They tell their compelling stories direct to the camera, revealing the violent arc of the Rikers experience – from the trauma of entry to extortion and control by inmates, to oppressive corrections officers, violence and solitary confinement.
2016

Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.
2016
The subject of the film is censorship in the broadest sense, and the narrator and guide of this story is the non-existent Mr. N. - a limited, though not humorous dignitary-censor. His inner monologue gives the whole film a certain course, and also "gives credibility" to the statements of artists, critics and officials of the time. In the documentary, almost all the prominent directors, screenwriters and critics of the post-war 50 years speak about artistic freedom and its restriction. We listen to Czesław Miłosz, Jerzy Stefan Stawiński, Janusz Morgenstern, Maria Kaniewska, Kazimierz Kutz, Janusz Głowacki, Feliks Falk, Wojciech Marczewski, Marek Piwowski, Janusz Kijowski, Wiesław Saniewski, Marek Ryszard Groński and Krzysztof Zanussi. There were also reviewers: Krzysztof Teodor Toeplitz and Zdzislaw Pietrasik.
2002

A contrast between two kinds of attitudes to gay liberation in Adelaide.
1976