
2026

Through a series of animated art boards depicting a decaying Venice, the film unfolds like a set of postcards, capturing the mythical city's final moments of fragility. Blending archival footage with contemporary observations, and anchored by the story of the 1902 collapse of St Mark's Campanile, Venezia Diorama invites us to reflect on a city slowly eroding, yet suspended in time.
2026

After spending more than 36 years in prison, Giampaolo Manca, 'Il Doge', a former boss of the Mala del Brenta gang in Venice, Italy is on a path towards redemption, but he can't seem to forgive himself for the violent crimes of his past.
2025

The film traces two families, one of which is Jewish, who preserved the images for decades but hadn’t brought them to light. 80 years after their creation, the son of the photographer finds the forgotten negatives and launches an investigation. With a team of researchers, archivists, and animators who use near-forensic precision to reconstruct locations and contexts, they trace the circumstances of those tragic days and the lives captured in each frame.
2025

2024
2023

2023

The gruesome story of the Jewish ghettos during the Nazi occupation of Eastern Europe in the dark days of World War II, based on the records written by their inhabitants, who bear witness to the human tragedy of the Shoah; but also to an indomitable will to live.
2023

a journey suspended between reality and fantasy during the Venice Film Festival.
2020

After the trying constraints of lockdown and social distancing that brutally reduced urban space to its strict minimum, making it into a place where isolated individuals merely cohabit, Homo Urbanus is a cinematic odyssey offering a vibrant tribute to what we have been most cruelly deprived of: namely, public space. Taking the form of a free-wheeling journey around the world (10 films, 10 cities), the project invites us to observe in detail the multiple forms and complex interactions that exist every day between people and their urban environments. Somewhere between visual anthropology and observational cinema, these films put urban man under the microscope and encourage us to take a closer look at individual and collective behaviour, interpersonal dynamics, social tensions, and the economic and political forces that play out every day on the grand stage of the city streets.
2020

The history of the Warsaw Ghetto (1940-43) as seen from both sides of the wall, its legacy and its memory: new light on a tragic era of division, destruction and mass murder thanks to the testimony of survivors and the discovery of a ten-minute film shot by Polish amateur filmmaker Alfons Ziółkowski in 1941.
2019

What is the "feeling" of a city? Is it the roads, the light that illuminates them, the people that live there and their stories? It's all these things, but also something else, something requiring time and attention to be understood. The film goes in search of this feeling exploring the city of Venice and its lagoon, prying into its less-known corners and listening to the stories of six citizens: a hotel waitress, an old archaeologist, a pensioner from Mestre, a painter/fisherman, an apartment burglar and a young boy.
2012
A monument handcrafted by Konstantin Bessmertny is exhibited at Venice Biennale 2007.
2010

In the Warsaw ghetto in 1943, Jews rise against the Nazis.
2001

The Polish city of Łódź was under Nazi occupation for nearly the entirety of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors are vividly chronicled via newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing as the film progresses, symbolic of the death of each narrator.
1989

Iago and a comrade-in-arms are outside the Venice home of Desdemona's father, who does not yet know that she has eloped with Othello. Iago confides to his friend -- who had hoped to marry Desdemona -- that he serves Othello to further his own ends. Venice needs Othello to protect its commercial interests in Cyprus where the Turkish fleet is headed. Desdemona insists on going to Cyprus, too. In Cyprus, Iago plots to convince Othello that Desdemona has betrayed him with Cassio. A lot more than political ambition seems to be motivating Iago.
1981

Yannick Bellon's documentary paints a portrait of a city torn between the problem of unsanitary housing, pollution corroding walls and statues, and the recurring and increasing floods—all consequences of human activity. Faced with job shortages and rampant speculation, the overarching question arises of how industries can coexist with the city of Venice. Allowing them to develop risks destroying it; driving them out risks turning it into a museum, causing its inhabitants, and thus its soul, to leave.
1970

This is a documentary film on the romantic and decadent atmosphere of Venice at the end of the 18th century. A vigorous comment by Jean Cocteau tells us of the sick souls and the sorrows of literary characters and musicians who lived the dream of this city. It is the Venice of Lord Byron, Alfred de Musset, George Sand, d'Annunzio; a Venice made of precious images, palaces reflected in the water, mysterious moonlights, little squares where unhappy lovers wander under the music of Richard Wagner.
1948

Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
1947

Blissful scenes of tourists arriving by boat and then sea bathing on a beach in the Venetian lagoon.
1914