
A silent film by Vietnamese director Truong Minh Quy in collaboration with Belgian director Nicolas Graux, was shot on the set of a film by Graux. We Sit in Silence at the Memorial Table is inspired by Educational Objectives, a poem written by Aleksey Garipov and translated to English by Nicolas Graux.
2022

The core of the work is to explore and experiment the viewing mechanism of the image. Try to recreate the third space with the characteristic of "halo" through images. The halo points to ambiguity and a sense of distance, while the third space is the difference space constructed by reality and consciousness. The work uses fragments of daily life and poetic non-linear narrative as two narrative means, interspersing and advancing the narrative, which corresponds to the two viewing states of the audience, namely reverie and trance, and hopes to connect the audience with the image in the form of flowing water.
2021

The story takes place between a young couple who is about to get married. The woman misread the size and ordered a huge wedding photo frame, which led to an interesting dispute between the two on the way to move the frame home.
2021

Tan Dongdong, aged 16, rode a motorcycle for a living. On his way to get back his ex-girlfriend Lin Qing, Tan Dongdong accidentally got acquainted with hair salon girl Wu Xiaoxia. After learning that Lin Qing had left with another man, Tan Dongdong gradually developed feelings for Wu Xiaoxia. At Tan Dongdong’s request, Wu Xiaoxia agreed to give up her job as a prostitute in the hair salon. However, when Tan Dongdong found out that Wu Xiaoxia had violated the agreement, he chose to take revenge…
2020

A bunch of indie filmmakers came to the grassland,everybody stayed in a tent, just open their mind and be sincere. They made conversations, which were about their confusion for life and be puzzle for artistic creation. Multifaceted sentiments were created. The goats were not vegetarian animal anymore,and the interlocutors were eating goats. An old man wanted to possess a young girl, the so-called artists were actually a tribe of infantile children. The goats were naked and waiting to be sparked…
2019

This film describes a wandering young man who experiences the alternation of reality and dream mirror after regretting the loss of his beloved. Finally, he successfully understands the root of pain, accepts the reality and obtains salvation.
2018

Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.
2018

Adapted from the online comics Pundusina, the story shows Macao's typical family values and ways of family members getting along with each other, through narrations of the daily life and interesting anecdotes of the Si's, the protagonist, for viewers to learn about the social aspect of this intriguing city.
2018

"Chang Jiang is a boy of passiveness. He was sent to a Rehab Center because of his addiction of Internet and fell in love there. After five months of treating, he was “healed” and went back to the real word where he found himself lost and incapable of dealing with real relations when he fell in love for a real girl. One night, he sneaked out to an Internet bar while his mother was asleep. But it has been too long that he hadn’t been online, his once online-lover has disappeared. And to his surprise, he found his mother waiting just outside when he stepped out of the Internet bar.
2017

The story of a girl attempted suicide for love and finally returned to religion.
2017

Liu Renwang, a villager in Yaoyang Village, Zhongyang County, Luliang City, Shanxi Province, was wrongly sentenced to prison for being shot dead with the former deputy director of the village village committee.
2017

2017

This story is about the group's marvellous life without money.The film tell this story from six points of view: the screenwriter, the recording, the photography, the art, the performer and the director.
2016

Scars, which are unfortunate or unexpected results, are also signs of healing. This new connective tissue replaces the process of injured tissues, and at the same time it becomes a metaphor for the pain and frustration of life: the sadness of the body, the union of pain... In short, scars have become a proof, a proof of existence, a proof of alive, a proof of pain, and a proof of a certain age. Beginning in 1949, in this vast land, these various scars, these healing marks, patterns, sad shapes, bring personal memories, collective pains, the marks of history, and come together Gaze, the meaning of the record. This film is the first part of the "Scar" project, the story of 110 Chinese scars.
2015

A young Chinese couple struggles to adapt to their new home and grows increasingly estranged from one another and from their surroundings.
2014

2013

A microcosm of China past and present flows through Xu Tong’s intimate docu “Shattered,” in which the maverick indie filmmaker continues to refine his techniques and concerns shown in his previous “Wheat Harvest” and “Fortune Teller.”
2011

Chinese film directed by Zhang Ming,
2009

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"
2008

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.
1985