Watch unhas horas, unha vida (2024) Online Free

Hourglass

Sand is the second-most exploited resource in the world. In Southeast Asia, escalating demand fuels an opaque and often illegal trade. Hourglass, an immersive documentary short, juxtaposes Singapore's ever-rising skylines to the sinking shores of Vietnam's Mekong Delta, creating an unsettling portrait of an urgent crisis carrying profound human costs.

2026

Last Man's Land

Last Man’s Land follows Isiah, a hardened survivor navigating a post-apocalyptic America two years after the world’s collapse. When a ruthless survivalist steals a cache of desperately needed medical supplies meant for a group of sick children, Isiah sets out across a dangerous, lawless landscape to track them down and bring the supplies back—no matter the cost.

2026

Da Terra

Emília Pedro e Fernanda Jorge revisit childhood memories to identify over 70 land parcels inherited from their father. As physical traces fade, memory and oral tradition become the only way to 'see' what is no longer visible.

2025

Bull Street

When an Ivy League lawyer challenges her family’s claim to their longtime home, small-town attorney LouEster Sadie Gibbs must fight a courtroom battle that pits privilege against legacy.

2024

Landscape of our Body

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

2024

Día Libre

2024

The Settlers

Chile, early 20th century. José Menéndez, a wealthy landowner, hires three horsemen to mark out the perimeter of his extensive property and open a route to the Atlantic Ocean across vast Patagonia.

2023

Between Mars and Earth

In the Christmas holidays, a mysterious extra-terrestrial force bursts into the life of a suburban couple on the brink of divorce. However, none of them notices this otherwordly presence, so this entity will have to live with them in this grey, sad and lifeless home, observing as their relationship finally desintegrates.

2023

Land Shark

A Land Shark hunts for human prey.

2023

We Can Make

We are in a housing crisis. We urgently need new ideas. Step forward… We Can Make. We are taken to Knowle West, South Bristol, a 100-year-old council-built estate and one of the most deprived areas in Europe. The spirit in the neighbourhood is unbroken though and this community are taking a different route to affordable housing.

2023

Eden Alone Surpasses Thee

Jarred by the loss of his closest friend, a farmer on Tasmania’s remote West Coast, begins to mentor at-risk local youth. In an area renowned for its poverty, low literacy, and high suicide rates, Stafford Heres is determined to provide opportunities for kids who have few. Eden Alone Surpasses Thee explores his relationship with the land, loss, and the young men he takes under his wing.

2022

Forests

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

2022

Tierra en llamas

Just when everyone thought the nightmare was over, a new menace strikes the city in a savage and bloody manner.

2021

AÏT ATTA: Nomads of the High Atlas

The Aït Atta tribe of the High Atlas mountain range in Morocco preserves their ancestral right of access to the agdal, a communal land management system that dates back hundreds of years. The film follows Ben Youssef family’s arduous transhumance journey from the desert-like landscape of Nkob to the green pastures of Agdal Igourdane, throughout uneven terrain of steep climbs and descents of these High Atlas mountains. They migrate each summer with their 800 goats, donkeys, mules, camels and dogs, as they embark on this formidable journey on foot.

2020

In the Shadow of the Serengeti

A Maasai human rights lawyer fights to stop the evictions of his people from their homelands in Tanzania. On the outskirts of Serengeti National Park in East Africa, Maasai face eviction from their land to make way for international tourism and hunting grounds. Human rights lawyer Joseph Oleshangay campaigns for his community to remain on its homeland as it has done for generations. While he represents Maasai communities in court, Joseph also remains close to his traditions among the cattle at his rural home near the Ngorongoro Crater. Risking his life to gather evidence from recently depopulated villages, Joseph battles in court where he leads the fight to resist the evictions.

Wounds of Our Land

Tragic pages in the history of the formation of the independent Lithuanian state in 1918-20.

1971

BODY/LAND

An experimental documentary featuring care-led practices of audiovisual archive remix, interviews and collaborative performances. The film features the home movies of Paul Berry, who was an Oscar-nominated animator, whose personal Super 8 collection is a sadly rare example of queer domestic life in film archive collections. Supported by research at the North West Film Archive, these moments of queer joy, chosen family, rural trips, and celebrations are reimagined alongside other regional film collections to a newly composed original score. Five portraits of specially featured artists discuss narratives that reflect how queer and trans creatives understand themselves, their histories, and their representation in relation to environment and landscape. These interventions weave through each artist’s practice in photography, spoken word, performance, sculpture and music, moving towards an expansive language of BODY(s) and LAND(s).

GEA

arable.

When a celebrated architect discovers an obsessive solace in designing a residential home on a plot of farmland, he must first address the matters in his own house.

Dear Home of Scars

In Dear Home of Scars, we see celebrated visual artist Ibrahim Mahama return to his hometown of Tamale in Northern Ghana to visit Red Clay Studio, a lively cultural centre and art space he founded, where he works on a new art installation involving old colonial railcars and the reconstruction of a stretch of track. During British rule of Ghana (1821-1957), the colonisers used trains to transport gold and other resources to the coast. Remnants of track now lie abandoned as silent reminders of this history of exploitation. They are ‘scars in the landscape’, in the words of Mahama. The project brings new energy and self-awareness to local residents. Meanwhile, Mahama reflects on his role as a sought-after artist and builder of local communities.