Large numbers of children and adults can be seen enjoying themselves, splashing about in the water or diving from the high-boards.

Singapore’s coastlines are always in flux - a delicate dance between the receding tides and the rising earthmovers. 'seaward' drifts through the peripheries of this very landscape, offering a quiet meditation on the life that endures at the edges of a changing island.
2025

A short animated documentary exploring the immigration experience through the eyes of children learning how to swim with clothes on in the Netherlands.
2025

Sprout. In the vacant lots against the hammering of buildings always under construction, between walls of granite, cement and sheet metal with rust, moss and cats; on the hillside between the train and the river, next to the traffic on the highway, facing the subway, vegetable gardens sprout. In this city, the choreography of ancient gestures of cultivating the land is repeated day after day, without fail. Sowing, digging, harvesting, watering, eating, talking, resting and returning the next day. The longest day of the year brings S. João and nobody goes to bed, but when the sun rises, the discreet gestures of resistance will restart.
2024

The childhood of Venice, the Menace revolves a circle of pleasure, greed, luscious toys, luxurious quality lifestyle as a toddler.
2024

In a mountainous but extremely green landscape goats jump over the rocks and laughing children run after them. In this paradise on earth, nomadic families have found their temporary home. From one of these families comes a teenage girl, Shahnaz. The girl should be getting married soon, but her thoughts are focused on the world of literature.
2022

Yollotl connects the past and the present through a love story inspired by Mesoamerican mythology and testimonials from children who live in the Mayan rainforest. A story in Nahuatl and a ritual song accompanies the journey through the interior of ancient trees to the universe.
2020

"The Voice of Innocence" is a documentary that shows how, starting in 1959, the Cuban Revolution put into practice a comprehensive and universal policy of safeguarding the rights of the child, even under the multiple difficulties resulting from the economic, commercial and financial blockade imposed by the United States more than six decades ago. Cuba is one of the main signatories of the Convention on the Rights of the Child, signed on 20 November 1989, when the country had already made extraordinary progress in protecting the rights of the child, in comparison to developed countries, such as the United States, which as of today hasn't yet ratified the Convention.
2019

This documentary tells the story of the revitalization of the Longwood Garden's (Kennett Square, Pennsylvania) Main Fountain Garden, a lavish jewel in the crown of one of the greatest collections of fountains in the United States.
2017

Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
2017

2013
Jani is one of the youngest children ever diagnosed with schizophrenia. At age 9, she's seen great improvements and some setbacks. But now her parent's attention turns toward her brother, Bodhi. At age 4, is he showing signs of schizophrenia too?
2012
Wenona does nude yoga in a garden.
2011

4 hectares of ground are the gardens that surround the Calouste Gulbenkian Foundation in Lisbon. Throughout one year João Vladimiro’s camera follows the work of landscape architect Gonçalo Ribeiro Telles, commissioned by the Calouste Gulbenkian Foundation. “I know that the trees don’t have eyes, that the water doesn’t have a mouth, and that stones don’t have ears. Still, we communicate. In this particular garden, long mute talks take place, like the two elders that, through their sheer presence, talk to each other about calmness, comfort and sadness.”, says director Vladimiro, whose patient camera eye pays attention to the smallest events.
2008

The different life paths of former girlfriends from Catholic and Protestant homes respectively - one a draftswoman, the other a chemical laboratory technician - in two interrelated films, in which love, like the demands and attitudes to life in the change of its foundations in the process of the decline of the GDR and its accession to the Federal Republic of Germany, play a special role.
1997
The third part of Jean Bitar's documentary series about Finnish children is about freestyle biking.
1996

Kids help around the farm on the South Devon coast.
1958

Scenic route through the Vale of Evesham, Worcester and Great Malvern, with a detour to a lost masterpiece of outsider art.
1957

The film's protagonists are the orphaned children taken into custody by the state and institutionalized at Children's House no. 6 from Bucharest. For Mészáros, the concern for the situation of children left orphaned during the Second World War is autobiographical: the director directly experienced the absence of parents in her own childhood.
1957

The children of Peterborough run rings around comedian Tommy Handley and other dignitaries during a city sports day.
1946

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
1888