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Amor
Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.
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Chasing Tables
Chasing Tables explores the journey of Jordan Taylor, a Sioux Falls native whose rise in the culinary world is as complex as the dishes he creates. After training under James Beard award-winning chefs Cory Schreiber and Brad Root in some of the Pacific Northwest’s most acclaimed restaurants, Taylor returned to South Dakota and built a string of successful establishments. But his story goes beyond the kitchen—it’s a tale of resilience, transformation, and the pursuit of excellence in an industry known for its intensity. Featuring interviews with renowned chefs, colleagues, and influential culinary figures, Chasing Tables offers a behind-the-scenes look at the highs and lows of Taylor’s career, capturing the heart of South Dakota’s evolving food scene.
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Lugar de Nadie
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Twilight
Filming for this picture took place in Russia over the course of a quarter of a century: in 2000, 2010 and 2022. The film is preceded by an epigraph: “The fate of every person depends on the country where they live, just as the fate of a country depends on its citizens”.
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The Afterlife
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Cidade Dorme
Night falls and the noisy and chaotic population of the city of Rio de Janeiro goes to their homes, preparing for a new day. But while most people sleep, how does the city function? Early morning seems, to unaccustomed eyes, something lonely and even scary. What is life like, then, for those who work and live while the city sleeps?
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Brainwashed: Sex-Camera-Power
Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.
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Caos do Sodré
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We Want the Airwaves
Hollywood is perhaps the most elusive animal. "We Want the Airwaves" follows three first time TV makers who set out on the ultimate adventure: to change television as we know it. The trio creates, films and pitches their advocacy docuseries masterpiece, "Manifesto!" all over the world, with the goal of giving a broadcast voice to a generation.
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Cinema Now
A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.
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The Executive Empress
The Executive Empress explores the entrepreneurial lives of several Florida women, who have turned their unique passions into successful businesses.
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The Ring Thing
When Sarah accidentally proposes to her girlfriend in Provincetown, the mixup turns their loving relationship into a minefield of marital exploration.
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The Ocean of Tears
The Ocean of Tears is a 2012 Kashmiri short Directed by Billal A Jan documentary film produced by Rajiv Mehrota under the banner of Public Service Broadcasting Trust of India. The film is a documentary of the crimes and human rights violations impositioned on the people of Kashmir especially on women.
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yaya/ayat
yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.
Not Quite Hollywood
As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.
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Visconti: La verdad del melodrama
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Sans Soleil
A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.
1983
Cinéastes de notre temps : Norman McLaren
1972