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When his travels bring him to Osaka, Tora-san falls in love with a local geisha. He helps her to track down her estranged brother, and informs his family that he plans to marry her. His plans are foiled when the geisha informs Tora-san that she is engaged.
Kiyoshi Atsumi, Chieko Baisho, Keiko Matsuzaka, Masami Shimojō, Chieko Misaki, Gin Maeda, Hisao Dazai, Gajirō Satō, Hidetaka Yoshioka, Terue Shoji, Hanae Shōji, Sayoko Makino

A family drama is born that depicts the youth of the heroine, who dreamed of working at an expo with the desire to connect with people all over the world, and her family, with a heartwarming touch.
2024

A treasure appears in front of antique dealer Norio Koike (Kiichi Nakai) and potter Sasuke (Kuranosuke Sasaki). The treasure is Hideyoshi Toyotomi’s chawan (procelain tea bowl) called Houou, that has been missing.
2023

Kokko is a third grade elementary school student. Even though she has a family who loves her, Kokko is full of dissatisfaction and she admires loneliness.
2014

Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.
2008

Carrying a bag full of samples, Mitsuo makes rounds to shoe stores in remote cities. While staying at budget hotels, his thoughts turn to Tora-san.
1997

In late 90s Osaka, three people from various walks of life meet by chance. They team up to orchestrate a complex financial con targeting crooked businessmen in an attempt to solve their respective financial woes.
1997

Tora befriends a pretty barbershop owner and runs into Izumi. When Tora twists his ankle, Mitsuo comes to care for him and see Izumi. Meanwhile, Izumi must choose between her new job in Tokyo and returning to Nagoya to care for her mother.
1992

Tora-san's nephew Mitsuo is exchanging letters with Izumi, a former classmate whose parents divorced and took her out of Tokyo.
1989

When cabaret singer Lily writes Toraya about her illness, Tora-san rushes to Okinawa to be by her side.
1980

Tora-san helps out a runaway bride.
1979

Tora-san leaves Shibamata once again after an argument with his family and finds himself at an inn where he meets Tomekichi, a young man who looks up to Tora-san.
1978

Tora-san becomes friends with Toraya's newest tenant, a pachinko-playing electrician that goes by the nickname Watt. Tora attempts to match Watt with a young waitress.
1977

Tora-san befriends the descendant of a feudal lord. The man asks Tora to locate his deceased son's wife who resides somewhere in Tokyo.
1977

When Tora-san's infatuation with his nephew's school teacher causes family turmoil, he leaves on his travels again. When he returns, he falls in love with the teacher's mother.
1976

Tora-san is inspired to pursue an education after a visit to the grave of a woman he met years ago. When he returns to Shibamata with the intent to study, he falls for Toraya's new tenant instead.
1975

Tora-san visits Hokkaido and is reunited with Lily. Now divorced, she plans to resume her singing career and renews her unusual relationship with Tora-san.
1975

After Hiroshi is injured in a workplace accident, Torajiro gives Sakura the money he has saved and leaves to work as a traveling salesman once again. During his travels, Torajiro meets a father who shares a drink with him. In the morning, Torajiro is shocked to learn that the man has left his baby behind and a note asking Tora to take care of the child.
1974

After Torajiro's latest attempt to find a bride goes awry, he starts traveling again and runs into Utako (last seen in Tora-san's Dear Old Home), now a widow.
1974

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
1966

A poor peasant, after years of scraping, becomes a rich and powerful Osaka merchant. Mizoguchi Kenji's final project; he died before completing it and directing duties turned over to Yoshimura Kozaburo.
1957