"Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting." - MoMA PS1
Regina José Galindo

The Eye explores silent landscapes where nature and absence coexist. Between the memory of places and resilience in the face of time, the film oscillates between beauty and existential vertigo, capturing what persists and what fades.
2025

A short study on liminality, reversing the common experience of such a space by forcing engagement and contemplation over its subtle details and hidden memories.
2025

It is May 8, 2024, and Israel is preparing to launch a destructive military operation in Rafah. Tahani, a Palestinian woman who has been internally displaced multiple times since the beginning of the attacks on Gaza, wonders where she and her children can find refuge once again. The film provides a glimpse into her family’s life before and after October 7, depicting the anguish of a mother who, marked by a painful loss, struggles to find peace.
2024

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
2021

A day in the life of a group of stray cats, who live in a wealthy neighborhood

A visual experiment on the different types of movement in a city.
2024

Through phone call conversations, an aspiring Ilocano filmmaker relates to his mother working in Italy about his dreams and struggles while documenting the invisible betweenness of their language and distance.
2024

A long-form 'artist moving image' documentary film that sits in a fictitious conceit that begins in a distant future, inspired by Russell Hoban’s cult novel ‘Riddley Walker’. A medley of documentary, fantasy, song and dance: shot on a tapestry of celluloid film stocks and developed by hand.
2024

2023


2023

Two instants separated by 99 days conflict with each other.
2022

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
2024

Two children are directed by a cinemaker.
2024

Between 1904 and 1908, when Namibia was still called German South West Africa and a German colony, up to 60,000 Ovaherero and 10,000 Nama died at the hands of German colonialists. The crimes of the German colonial rulers went down in history as the first genocide of the 20th century. The Afro-German presenter and influencer Aminata Belli travels to the African country to investigate the extent to which the legacy of the German colonial era affects the present day of Namibian society. She pays particular attention to the involvement of the Protestant Church in the subjugation of the indigenous people and the sense of guilt of the descendants of the German settlers as well as the Germans themselves. To do this, the fashion journalist interviews various people on site and pretends to be interested in the following questions: Were the missionaries of the time guilty? How does a country heal when horrific things have happened there? And is reconciliation possible?
2023

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.
2022

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
2020

My mother always refused to speak about her childhood during the Cambodian genocide. Upset by her silence, my brother and I decide to follow Antoine, a grandson of Armenian genocide survivors, photographing the ghosts of his ancestors in the Middle East.
2020

While serving with the African Union, former Marine Capt. Brian Steidle documents the brutal ethnic cleansing occuring in Darfur. Determined that the Western public should know about the atrocities he is witnessing, Steidle contacts New York Times reporter Nicholas Kristof, who publishes some of Steidle's photographic evidence.
2007