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In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.
Robert Simon, Basil Hendry, Dianne Dwyer Modestini, Luke Syson, Martin Kemp, Matthew Landrus, Scott Reyburn, Warren Adelson, Nicolas Joly, Dmitry Rybolovlev, Yves Bouvier, Jean-Marc Ange Peretti
Joe Brainard (1941-1994) was an artist particularly noted for his work in collage and comics. Brainard’s artistic career took off during his teenaged years in Tulsa, Oklahoma where, along with Ron Padgett and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Brainard and Padgett serendipitously moved together to New York City, where Brainard was a prolific artist whose work was showcased in varied spaces such as the Museum of Modern Art and the Whitney Museum. He also frequently collaborated with members of the New York School of Poets, supplying book and cover art and bringing to life visual representations of poetry. Brainard’s writing also received acclaim, particularly his 1975 memoir I Remember.
Joe Brainard (1941-1994) was an artist particularly noted for his work in collage and comics. Brainard’s artistic career took off during his teenaged years in Tulsa, Oklahoma where, along with Ron Padgett and Dick Gallup, he produced The White Dove Review, an art and culture magazine. Both Brainard and Padgett serendipitously moved together to New York City, where Brainard was a prolific artist whose work was showcased in varied spaces such as the Museum of Modern Art and the Whitney Museum. He also frequently collaborated with members of the New York School of Poets, supplying book and cover art and bringing to life visual representations of poetry. Brainard’s writing also received acclaim, particularly his 1975 memoir I Remember.

“It’s not every day that you meet an old Nazi.” So begins American historian Jonathan Petropoulos, recalling the day in 1998 when he met Bruno Lohse, who was Hermann Göring’s art agent in Paris during World War II. In this riveting account, Petropoulos details Lohse’s role in stealing countless masterpieces from prominent French and Dutch families, while evading meaningful punishment, and continuing to deal art profitably for most of the rest of his life. This explosively compelling tale calls the international art market to task for its continuing lack of regulation.
2024

A team of archaeologists examines an ensemble of finely crafted gold and silver artifacts from a temple in Laos. The expedition takes the researchers from the vault where the treasure is now housed to ancient temples hidden deep in the jungle. The team makes spectacular discoveries at excavation sites scanned from the air...
2024

'Figure I' uses a feminist perspective to frame and deconstruct patriarchal techniques of control. This film asks: how was a patriarchal gaze construct-ed, and how has it come to effect biological processes? How have specific tools (like Dürer's Grid) come to shape our technological present and possible futures? Are modern Western scientif-ic/mathematic/technological/medical structures rooted in extractive patriarchal philosophies? 'Figure 1' is composed of re-drawn illustrations of allegorical art historical paintings and etchings, alongside archival footage, Obstetric photography, and rotoscoped animation.
2021

The world’s museums are closed. What are you missing? Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.
2021

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
2021

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
2021

2020

Janina Ramirez explores the BBC archives to create a TV history of Leonardo Da Vinci, discovering what lies beneath the Mona Lisa and even how he acquired his anatomical knowledge.
2018

The Flemish painter, humanist and diplomat Peter Paul Rubens (1577-1640) was fortunate to be recognized during his lifetime as an artist of genius and one of the most prolific among his peers, making him a key figure of the Baroque.
2018

Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
2017

For months, the FBI have been investigating Russian interference in the American presidential elections. ZEMBLA is investigating another explosive dossier concerning Trump’s involvement with the Russians: Trump’s business and personal ties to oligarchs from the former Soviet Union. Powerful billionaires suspected of money laundering and fraud, and of having contacts in Moscow and with the mafia. What do these relationships say about Trump and why does he deny them? How compromising are these dubious business relationships for the 45th president of the United States? And are there connections with the Netherlands? ZEMBLA meets with one of Trump’s controversial cronies and speaks with a former CIA agent, fraud investigators, attorneys, and an American senator among others.
2017

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
2016

2014

This documentary features a kinetic artist who creates vibrant mixed media works that push the boundary between 2D and 3D.
2012

We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.
2009

The Quays' interest in esoteric illusions finds its perfect realization in this fascinating animated lecture on the art of anamorphosis. This artistic technique, often used in the 16th- and 17th centuries, utilizes a method of visual distortion with which paintings, when viewed from different angles, mischievously revealed hidden symbols.
1993

After the death of the paranoid emperor Tiberius, Caligula, his heir, seizes power and plunges the empire into a bloody spiral of madness and depravity.
1979
We are in the midst of production on a one-hour film on seminal art historian John Richardson, and his work on the fourth and final volume of his biography on Picasso. Richardson shares his insights and observations on Picasso, whom he first met in the 1950s, with Shelley Wanger, his editor at Alfred A. Knopf (a division of Random House, Inc.).