Sancho Panza enters a movie theatre in a provincial city. He is looking for Don Quixote and he finds him sitting off to the side and staring at the screen. The theatre is almost full; the balcony is entirely occupied by noisy children… La proiezione è cominciata (The Projection Has Begun) is an adaptation of The Six Most Beautiful Minutes in the History of Cinema by Giorgio Agamben. It is a portrait in 24 daguerreotypes per second.
Giorgio Agamben

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.
2026

The interconnection between the philosophical film body and the trans human body is explored through the film’s materiality and the use of analogue techniques. In a deeply personal investigation, parallels are drawn between the procedures both bodies must undertake to reach their final form.
2025

2025

Published in 1949, The Second Sex became the bible of global feminism. An essential work that passionately advocates for gender equality, women's independence, and the liberation of morals. Today, how does this seminal work continue to resonate in our contemporary world? Conceived as an initiatory journey to the origins of Simone de Beauvoir's thinking, the film The Second Sex: In the Footsteps of Simone de Beauvoir takes us to the United States, to the places that inspired the philosopher and nourished her theories. An American road trip bringing together the worst and the best, predatory capitalism and mad love. A unique reinterpretation in the company of the great thinkers of our century.
2025

Surviving against all odds. In 1940, Benjamin Orenstein, just a teenager, was sent to his first concentration camp in Poland. It was the beginning of a journey that would mark him for life. After years of silence, he now bears witness to one of the darkest chapters in history.
2025
“Let them eat cake!” laughs a Marie-Antoinette from the dunes... Gaëlle loves to dress up. Under her wigs, Gaëlle plays with codes and the surprise her appearances provoke. Each of her wigs explores a part of her femininity, her self-confidence and her relationship with the gaze of others... Above all, all her wigs hide a secret.
2024

In an attempt to represent reality, the boundary between life and art blurs between fragmentary images of someone and the praxis of an essay film.
2024

In 1949, philosopher and novelist Simone de Beauvoir wrote the groundbreaking The Second Sex, launching a disruptive discourse on women’s oppression and second-class citizenship. This film dissects the origins and relevance of this bible of feminism, charting de Beauvoir’s fact-finding journey across the US to research her book. The timely and fascinating film honors de Beauvoir’s brilliance and limitations, connecting her revolutionary ideas to the pressing issues women face today.
2024

2024

Zina left Algeria to fulfill her childhood dream of driving trucks. At every turn, her cabin becomes a space of freedom and the highway a battlefield.
2024

The documentary film tells the story of Zucchero Sugar Fornaciari through his words and those of colleagues and friends such as Bono, Sting, Brian May, Paul Young, Andrea Bocelli, Salmo, Francesco Guccini, Francesco De Gregori, Roberto Baggio, Jack Savoretti, Don Was, Randy Jackson and Corrado Rustici. A journey of the soul which, thanks to images coming from Zucchero's private archives and from the "World Wild Tour", his last and triumphant world tour, goes beyond the portrait of a successful musician reaching into the doubts and fragilities of 'man.
2023

In a time of resurgence of social protests, political radicalization and distrust of power, Arendt's thought has never been more relevant: A critical thinker according to some or a conservative according to others, this great figure of the intellectual world remains, in many ways, an enigma. Who was Hannah Arendt?
2023

A critical analysis by Jacob Geller analyzing the depiction of head- (or consciouness-) transplants in video games such as Wolfenstein 2 or Soma in parallel with the history of the almost-father of head transplants (his experiences having been limited to monkeys), Robert Joseph White. How did we end up moving the center of human consciouness from the heart to the brain ? Where does the soul come in to play here? When is the body / Theseus' ship no longer the body / Theseus' ship for having had its limbs / its wood transplanted too much ?
2022

Jasmin is joy, living in the moment. A 15-year-old boy described as "non-verbal autistic." He communicates through his eyes. He makes sounds, says a word. He constantly sings the rhythm of a song whose lyrics only he knows. A bubble of sweetness and love.
2021
An experimental project made up of 10 minute silent portraits with 60+ participants.
2017
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
2014

A surprisingly intimate portrait of how the dream of running one’s own business can take on monstrous contours. Managed by the father of one of the singers, over the course of five years the girl band 5Angels had reached the gates of pop fame. But it is a path paved not only with the songs of Michal David, but also with the dogged determination of a man who loses any notion of where his role as manager ends and his role as parent begins. An emotionally moved Karel Gott, five angelic girls, and one overly involved father, thanks to whom the behind-the-scenes pre-Christmas atmosphere melts away just as rapidly as the fat should disappear from the belly. “A singer can’t be a lard bucket!”
2013

102 Years in the Heart of Europe: A Portrait of Ernst Jünger (Swedish: 102 år i hjärtat av Europa) is a Swedish documentary film from 1998 directed by Jesper Wachtmeister. It consists of an interview by the journalist Björn Cederberg with the German writer, philosopher and war veteran Ernst Jünger (1895-1998). Jünger talks about his life, his authorship, his interests and ideas. The actor Mikael Persbrandt reads passages from some of Jünger's works, such as Storm of Steel, The Worker, On the Marble Cliffs and The Glass Bees.
1998

A village in Brittany. During the ten days leading up to All Souls Day, we can see it in its entirety "inhabiting" the cemetery, going from gravestone to gravestone for the rituals of cleaning, flowering and praying. Telling its story through its faces, its voices and its ambulations.
1994

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
1963