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pixel skin
The body collapses in the ruins of the digital abyss, merging into pixel molecules in a cybernetic dissolution that disrupts the boundaries between human and machine through motion-tracking software applied to a body no longer legible within the colonial grammar of the algorithm.
2025
We Make the TV Glow
A feature-length queer glitch art remix – or, "wave" – of Jane Schoenbrun's I Saw the TV Glow (2024), divided into 9 segments... each helmed by different editors.
2025
When the Plug is Pulled Out and the Set is Cold
Inspired by a Bill Viola essay which relates three different kinds of 'video black' to closing one's eyes, sleeping, and dying, this work thinks those states of darkness through rapidly failing and increasingly unsupported electronic equipment. Briefly remembered fantasy images, soft crackles of chromatic snow, and explosions of violent feedback form a death dream of analog video.
2024
Glitch
2023
reMemBer2.human
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
2023
The Boys of Summer
Some fun in the sun. Part 3 of The Glue Trilogy.
2021
BALL LIGHTNING
A pair of scavengers discover something strange after wandering onto the property of a mysterious technician.
2021
Untitled Earth Sim 64
A woman is faced with existential crisis after learning that the universe is an untitled simulation.
2021
Glitching Offshore
If a machine would possess a soul it might be a beach. Every single sand corn symbolizes a data-set of a memory captured in the world wide web saved deep down in the ocean. From there the bytes condense and finally reach the cloud. But how would it feel for a machine to see the glitch waves and feeling the shore stones on its case? What would be the colours of the coastline? Glitching Offshore tries to portrait the soul of an AI and the universe behind it. Glitching offshore, alike drifting away as in a psychogeographical dérive (furthermore, away from the "rive": bank) where human intentional yet chaotic action is substituted by pixels' stirrings of the soul.
2021
The Intergalactic Adventures of Max Cloud
A space cruiser crashes on a planet that is home to an intergalactic prison.
2020
Danza
Short glitch video from Los ingrávidos.
2020
Plague (Screen 1)
Short glitch video from Los ingrávidos.
2020
Plague (Screen 2)
Short glitch video from Los ingrávidos.
2020
Jacarandas
Short glitch video from Los ingrávidos.
2020
Interferência
Mônica and Camila walks at night. A strange sound surprises them. An object falls from the sky. They receive a message. Something evokes them.
2019
Ego Death
2014
Futurama: Bender's Big Score
The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?
2007
Lilo & Stitch 2: Stitch Has a Glitch
Now, we find the rowdy extraterrestrial getting used to life with his new ʻohana. However, a malfunction in the ultimate creation of Dr. Jumba soon emerges, which reinstates his destructive programming and threatens to both ruin his friendship with Lilo and to short him out for good!
2005
Static Discharge for Bleeding Eyes
Static Discharge is composed of abstractions created from signal interference. The picture frame is continuously disrupted, as textured lines of feedback distort any form of representation. The flickering movement appears as if fed by an electric current with a faulty conductor - the electronic waves seem to split and repeat themselves without fully transmitting. This is a composition of video noise that creates pulsating tension, a s electricity grinds with flesh, revealing the harsh beauty inherent in a mechanical medium.
2001
ReBoot 1990 Limelight Demo Reel
This promotional tape for ReBoot was created in 1990 by The Hub (Ian Pearson, Gavin Blair, Phil Mitchell) and Limelight, the production company trying to get ReBoot off the ground. The Bob animation tests were created on Alias computer systems. The Megabyte/Hacker segment is from an even earlier animation test created on the same FGS system used to create Money For Nothing. This footage was transferred from D1 video tape (originally recorded from VHS) and restored by the ReBoot ReWind crew: Jacob Weldon, Raquel Lin, Mark Westhaver & Bryan Baker.
1990