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Every km of ocean now contains an average of 74,000 pieces of plastic. A 'plastic soup' of waste, killing hundreds of thousands of animals every year and leaching chemicals slowly up the food chain. In Holland, scientists found plastic in the stomachs of 95% of all fulmar birds. In Germany, plastic has been found to affect the reproductive systems of animals, while in the US, conservationists are seeing increasing numbers of dolphins die in agony, their guts blocked with rubbish. What will be the long term impact of this 'plastic pollution'? Can anything be done to clean up our oceans?
Christiana Boerger, Gwendolyn Lattin, Habib Kharrat, Marcus Eriksen, François Galgani, Anna Cummins

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.
2025

Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity in today's world. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
2024

2022

2019

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
2019

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
2018

2017

Famous and talented feature film director and scriptwriter Jan Kounen plunges the viewer into a unique and thrilling adventure of pregnancy, birth, and baby’s first swim, alongside marine creatures. Leina Sato is a Japanese professional free diver and is expecting her first child. Her partner, Jean-Marie Ghislain is a famous underwater photographer. They share a passion for the oceans, and believe that a strong bond between a mother-to-be and cetaceans exists. And they want to prove it. Leina will be multiplying her encounters with whales, dolphins and other underwater mammals. Mother Ocean is the incredible encounter between humans and under water species, around the universal question of giving birth and the power of creating life.
2016

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
2006
There are endless gruesome ways that the world could end; through nasty, natural disasters or because of some man-made abomination. From maniac killer robots and super volcanoes, to an alien invasion and mutant psycho humans, all options are covered in Ten Ways the World Will End.
2005

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
1995

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
1980
This short documentary follows Frank Ladouceur, a man who lives alone for months at a time, trapping muskrat in the vast, desolate wilderness of northern Alberta. He receives no visitors, and rarely voyages to his family home in Fort Chipewyan. What some may consider an unthinkably lonely, isolated existence is the calling of this fiercely independent Métis man. Remarkably determined and self-sufficient, Frank makes his home in the wild bush.
1975

A science fiction fantasy on skis with spectacular glacier skiing, extraordinary acrobatics, unique optical effects, and an original score. The world's polarity is mysteriously reversed, requiring the skiers to regain the realm of normal perception by performing maneuvers inspired by the ambiguous nature of the "Moebius Strip."
1970

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1959

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
1959

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1957
Using the puppet of a night watchman as an example, the creation of a hand puppet for the puppet show is described.
1957

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
1895