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The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive. The internationally renowned Mozart interpreter Sir Colin Davis conducts the chorus and orchestra of the Royal Opera House and a glittering cast in David McVicar's 2003 production of the opera Mozart wrote in the final year of his life, recorded live at Covent Garden.
Will Hartmann, Dorothea Röschmann, Diana Damrau, Franz-Josef Selig, Ailish Tynan, Adrian Thompson, Simon Keenlyside, Gillian Webster, Christine Rice, Yvonne Howard, Zico Shaker, John Holland-Avery

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as Glauce’s father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris. Carlo Rizzi conducts.
2022
A comic opera in two acts about the fickleness of women performed by HAMU students at the Disk... The alleged amorality of the story condemned Cosi fan tutte (They are all like that), Mozart's last opera to a libretto by Lorenzo da Ponte, to numerous contemporary adaptations and even to oblivion during the 19th century. What was the outrage? Following a bet, two bachelors in exotic disguises successfully exchange their fiancées, who have sworn eternal fidelity to them before parting. It's an old-fashioned plot based on a judgment on female constancy and male boastfulness arising from exaggerated vanity...
2022

Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.
2021

As Christof Loy put it: Così fan tutte invites us to embrace the complexity of life and face the future with heads held high. In his staging of the version he abridged with Joana Mallwitz for the Salzburg Festival 2020 the focus is wholly on the figures and the subtle choreography of their emotional states — in a space that like a magnifying glass exposes the intricate mechanisms between the characters. In this way the production leads the protagonists and the audience to experience the ‘serene calm’ that can perhaps indeed cure our own ‘distempers’.
2020
Concert and documentary celebrating the 1st Anniversary of Moscow’s Zaryadye Hall
2019

Performed at Madrid's historic Teatro Real in 2018, Ivor Bolton conducts Benjamin Britten's opera based on Lytton Strachey's 1928 Elizabeth and Essex: A Tragic History. In her repeated clashes with the Earl of Essex-a longtime favorite of the queen who was ultimately put to death for treason-Elizabeth I is depicted as flawed and vain, human and sympathetic.
2018

The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.
2017

2016
Join Paris Opera Ballet Director of Dance Brigitte Lefévre for a special three part cinema presentation: -The Défilé (parade) of the Paris Opera Ballet is filmed for the first time. This 300-year tradition presents the entire company (154 Paris Opera Ballet dancers, and 100 or so pupils from the Ballet School) under full stage conditions and is an amazing spectacle. -For Etudes, a dance class is transposed to the stage in a ballet that showcases the purity, rigour and exactness of classical technique. -The Nutcracker is Tchaikovsky’s journey to a dreamlike world of whirling snowflakes, myriad flowers and dancing sugar plum fairies, and one of his most fabulous masterpieces.
2014

The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
2012

A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
1992

The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
1990

Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
1990

The life and work of stage designer ADOLPHE APPIA, originator of the most profound agitations in contemporary theatre. Through the dynamic alternation of animated drawings and choreographies specially conceived for the film, we discover the steps of his artistic evolution.
1988

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
1984

Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
1982

An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
1981

This first film of Cyprus' first director, Giorgios Filis, depicts music and dance customs in the form and style of a folk opera, with traditional Cypriot dances and songs. The film consists of a folkloric inventory based on the folk culture of Cyprus, as well as on similar ritual happenings. The narration and dialogue are entirely in the Cypriot dialect and are characterized by a rhetorical and poetic mood.
1967

The historic Toscanini television concerts with the NBC Symphony Orchestra. This concert, broadcast in two parts, on 26 March and 2 April 1949, from NBC Studio 8H, features the opera "Aida" by Giuseppe Verdi. (Both broadcasts were released as "Vol. 3" in the DVD series.)
1949

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
1925