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Popsong

The world appears black on black until it separates from itself, looks at itself, includes itself, and sees colour.

2016

Buster Keaton: The Genius Destroyed by Hollywood

In 1926, Buster Keaton was at the peak of his glory and wealth. By 1933, he had reached rock bottom. How, in the space of a few years, did this uncontested genius of silent films, go from the status of being a widely-worshipped star to an alcoholic and solitary fallen idol? With a spotlight on the 7 years during which his life changed, using extracts of Keaton’s films as magnifying mirrors, the documentary recounts the dramatic life of this creative genius and the Hollywood studios.

2016

Los 5 Faust de F. W. Murnau

2002

Bicycle

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.

1965

Days of Thrills and Laughter

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

1961

Photographic Studies in Hypnosis: Abnormal Psychology

Silent film showcasing hypnosis and its effects.

1938

October (Ten Days that Shook the World)

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

1928

The Passion of Joan of Arc

A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she'd spoken to God, Jeanne d'Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.

1928

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

1927

The Last Days of Pompeii

Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

1926

Finlandia

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

1922

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

1922

The Night of Queen Isabeau

The film depicts the marriage between the mad Charles VI of France and his wife Queen Isabeau.

1920

Amazon: Longest River in the World

Documentary by Portuguese Silvino Santos, about the Amazon, its flora, fauna, its inhabitants and among other wonderful images from the beginning of the 20th century with alternating close-up shots of caimans, jaguars and tropical flora with footage of Indigenous rituals--including some of the earliest known moving images of the Indigenous Witoto people--and longer sequences showcasing the region’s extractive industries: rubber, the Brazil nut, timber, fishing, even the egret feathers that were a staple of women’s fashion at the time.

1918

Intolerance: Love's Struggle Throughout the Ages

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

1916

The Sealed Room

The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

1909

The Story of the Kelly Gang

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

1906

Dingjun Mountain

The first Chinese film ever made, a sung representation of Battle of Mount Dingjun.

1905

Carmencita

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

1894

Traffic Crossing Leeds Bridge

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

1888