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A documentary about legendary wrestler and all around supervillain Baron von Raschke by director Philip Harder.
Cast
Verne Gagne, Jim Raschke, Maurice Vachon, Jesse Ventura, André Roussimoff
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Light Upon Light: A Documentary On Hijab
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János Baksa-Soós, aka Prince January. A man who influenced those who influenced us. “Sometimes you have to make time for a whole life!” he said. He did, and we explored his incredible life. Starting from Zoltán Kodály, we fly over downtown KEX concerts, dive into the deepest recesses of Berlin punk and end up who knows where. Somewhere in the cosmos.
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Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
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This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.
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Diane di Prima (1934-2020) was a poet, writer, publisher and playwright whose work has been associated with the Beat movement. Born and raised in New York City, she associated with poets such as Amiri Baraka, Jack Kerouac and Frank O’Hara, co-editing The Floating Bear magazine with Baraka in the 60s and co-founding the Poets Press and the New York Poets Theatre. Throughout her life in New York and later out West, both her sense of anarchic limitlessness and her zeal for collaboration guided her work.
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Elszállt egy hajó a szélben
Legends circulate in the public consciousness about Kex, which existed from late 1968 to the autumn of 1971. For baby boomers, it represented freedom and spontaneity. The band rejected the world of Communist cultural policy with its uniqueness and refusal to conform, something in which the best of the artistic intelligentsia and political dissidents saw value. They attended their concerts, and the film recalls their experiences. At times, one feels as if they are watching a spy film parody, as one gains insight into the secret files containing reports from agents embedded within the audience.
1998