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Prince Siegfried is celebrating his coming of age. The Queen Mother informs him that, the following day, during the grand ball held to mark his birthday, he must choose a future wife. Displeased at not being able to choose her out of love, he goes into the forest during the night. It is then that he spots a flock of swans. He raises his crossbow, prepares to shoot, but stops immediately: before him stands a beautiful woman dressed in white swan feathers, followed by twelve other women dressed in the same way, four of whom are known as the ‘little swans’. ‘Swan Lake’ is a ballet by Pyotr Ilyich Tchaikovsky, comprising 4 acts and 4 scenes, or 3 acts and 4 scenes. The staging is based on a libretto by Vladimir Begichev and Vasili Geltser. The story is an ancient German legend recounting the tale of the beautiful Princess Odette, transformed into a swan by the curse of the evil sorcerer Rothbart. Recorded live at the Royal Opera House, Covent Garden, on 17 March 2015.
Marianela Núñez, Vadim Muntagirov, Bennet Gartside, Elizabeth McGorian, Alexander Campbell, Francesca Hayward, Akane Takada

From The Royal Ballet’s classical origins in the works of Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of the Company’s heritage.
2019

The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
2019

Now celebrating its 50th year, George Balanchine’s sparkling ballet still shines with all the brilliance of the gemstones that inspired it.
2017

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.
2017

The first revival of Wayne McGregor’s critically acclaimed ballet triptych to music by Max Richter, inspired by the works of Virginia Woolf.
2017

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.
2014

In 1920s Vienna, a young girl receives a magical doll on Christmas Eve.
2010

Inspired by dark and gripping real life events, this Royal Ballet classic depicts the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera. The oppressive glamour of the Austro-Hungarian court in the 1880s sets the scene for a suspenseful drama of psychological and political intrigue as Rudolf fixates on his mortality.
2010

The classic Mariinsky (Kirov) production of the greatest of all ballets. Filmed in the imperial splendor of the Mariinsky Theatre, St Petersburg. Starring Ulyana Lopatkina, Danila Korsuntsev and the breathtaking Mariinsky corps de ballet. Conducted by the great Russian maestro Valery Gergiev.
2007
No ballet better epitomizes romance than Giselle, also known for its rich melody. This ballet explores the traditional theme of love triumphing over death. Bursting with freshness, spontaneity and emotion, the musical core for Giselle remains one of ballet music’s greatest successes. The Saint Petersburg Ballet Theatre remains faithful to the version of this ballet that is at once the closest to the original and the most romantic. Live SPBT`s performance 'Giselle' was filmed on 16th March 2007 on the spacious stage of the State Theatre in Pretoria during the second SPBT`s tour of South Africa. Giselle was created in 1841 at the Royal Academy of Music, now the Opéra National de Paris.
2006

The story of Don Quixote tells of the old knight who dreams of chivalry and his comic squire, Sancho Panza. This performance by the Kirov has been hailed as one of the greatest large cast ballet productions ever recorded on film. The tremendous resources of the Kirov Ballet flash and dash through the four acts of joyous Petipa and Gorsky choreography making Don Quixote a thrilling visual treat. This delightful spectacle features the great Soviet dancers Tatyana Terekhova and Farouk Ruzimatov as the lovers Kitri and Basilio. Don Quixote is performed by Kirov star Vladimir Ponomaryov. Filmed live at the Kirov Theatre in Leningrad.
2004

"William Christie and Les Arts Florissants propel this exuberant production of Jean-Philippe Rameau's second opera to great heights. Andrei Serban's extravagant, highly baroque staging presents the four exotic love stories vibrantly. In 'Le Turc généreux' Osman sets free his captive, Emilie, whom he loves, so that she may be reunited with her former lover, Valère; 'Les Incas de Pérou' is all about the rivalry of the Inca Huascar and the Spaniard Don Carlos, both in pursuit of Princess Phani; 'Les Fleurs' offers a Persian love intrigue, as the Sultana Fatime tries to detect whether her husband Tacmas has his eye on the lovely Atalide; and 'Les Sauvages' takes us to North America, where a Spaniard and a Frenchman compete for the love of Zima, daughter of a native chief, who prefers one of her own people." — from the DVD cover
2004

A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.
2002

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
2000

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.
1984

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.
1983

The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.
1982

Swan Lake, a screen adaptation of the ballet of the same name by Pyotr Tchaikovsky. Performed by Kirov Ballet, starring Yelena Yevteyeva as Odette and directed for film by Appolinariy Dudko and Konstantin Sergeyev. Produced by Lenfilm studios in 1968. Orchestra of the S.M. Kirov Leningrad Academic Opera and Ballet Theater, conductor Victor Fedotov. Ballet dancers of the Leningrad State Academic Theater of Opera and Ballet named after S.M. Kirov and students of the Leningrad Choreographic School M. Agrippina Vaganova took part in the film. Golden Orchid Prize - Grand Prix at the VIFF of ballet films in Genoa, Italy (1969).
1968

A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
1951

Olympic gold medalist Peggy Fleming and six-time U.S. national champion Todd Eldredge star in this performance of the Tchaikovsky Christmas classic.