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Letícia lies on an ironing board in front of her maid who calmly irons her mistress, clothed, with the same attention to detail as someone who irons out a flat piece of clothing. The artist is calm like an empty suit; she doesn’t move, she doesn’t complain, she simply lies there. She is an ordinary piece of clothing, on any given day. There is no indifference, it is just another task accomplished. In the mistress maid relationship there is no tension, just silent complicity.

Music by Austin Cesear, 16mm film by Paul Clipson.
2014

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.
2026

A disorienting realm where reality itself flickers and fragments. Through a visceral exploration of digital distortion and failing verification processes, this challenges your perception and dares you to question what lies beneath the surface. Are we truly awake to the genocides and wars raging beyond our privileged bubbles, or are we content to remain ensnared by manipulated realities? This is a personal call to shatter the illusions, to seek deeper truths, and to recognize the profound fortune of our existence amidst global turmoil.
2025

Experimental short film of colors and lights. Silence.
2024

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.
2024

In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.
2023

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
2021

As a teenager in the '90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.
2021

A film portrayal of a pioneering aviator and best-selling author whose extraordinary public life had a deep impact on her inner world.
2016

In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.
2015

The 1920s saw a revolution in technology, the advent of the recording industry, that created the first class of African-American women to sing their way to fame and fortune. Blues divas such as Bessie Smith, Ma Rainey, and Alberta Hunter created and promoted a working-class vision of blues life that provided an alternative to the Victorian gentility of middle-class manners. In their lives and music, blues women presented themselves as strong, independent women who lived hard lives and were unapologetic about their unconventional choices in clothes, recreational activities, and bed partners. Blues singers disseminated a Black feminism that celebrated emotional resilience and sexual pleasure, no matter the source.
2013

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.
2006

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.
2000

After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
1995

A tribute to the late Pat Schulz, an influential Canadian feminist.
1987

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.
1978

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.
1976

When you're a newly divorced woman with two older children, it is very difficult to "rebuild your life". By chance, Monica meets someone new, but will she be able to seize this new oportunity for happiness?
1972

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.
1967