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SOME COLORS
2025
13 novembre, nos vies en éclats
On November 13, 2015, the attacks in Paris and Saint-Denis, carried out by three Islamist commandos and claimed by ISIS, were the deadliest in France since the end of World War II. In the months that followed, the November 13 Program was launched by the CNRS and Inserm to study the construction of individual and collective memory around an event that profoundly marked French society. Today, the testimonies of 27 volunteers—among some 1,000 people—who participated in the study form a mosaic of experiences that shows how trauma extends beyond the immediate circle to permeate the national collective memory.
2025
A Castle in Spain
Everyday a father works hard to preserve the fragmentary present. He creates a world of images, a memory room where he meets his daughter. But it is difficult, the pictures are torn and forgotten and the fragmentary landscapes are constantly changing.
2025
The Last Chapter
A documentary film that follows the lives of first-generation retired immigrants living in Finland.
2025
No me acuerdo ahora
For more than a decade, my grandmother has been the tireless caregiver of my grandfather, who suffers from Alzheimer's disease. Through this story, we explore the love, sacrifice, and despair of someone who devotes their life to caring for another.
2025
Carracedo
2024
Yvera
2024
Mechanical
Memory is a ghost. Lucio, a printing press worker, takes one last walk around the machines with whom he shared everything. He remembers when his mechanisms used to move and through that mechanical movement he reflects about his own life.
2023
Ingrain
An ode to the canopy, Ingrain is an attempt to capture one family's recollections of their home through their fading connections with the trees surrounding it.
2023
Now That the Sun Begins to Set
Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.
2022
Vaivéns meteorolóxicos na vila da Guarda
Ashes
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
2022
SYNCHRONOUS
SYNCHRONOUS is an intimate portrait of love and the reverse side of love: mourning. The granddaughter/maker looks idealistically at the endless love between her grandfather and grandmother. When her grandfather dies, she decides to look for answers by filming her grandmother. What happens when you've been together all your life and your great love dies? Where is the love then?
2022
The Wolf Suit
How much can you trust your childhood memories? Director Sam Firth investigates, sweeping her parents into the experiment and on a journey into the past.
2021
Grandmas Project – Marillenknödel
Mona Achache delivers a delicious portrait of her grandmother, Suzanne Achache–Wiznitzer, affectionately nicknamed "Mamé". Short film from the Grandmas Project, a collaborative web documentary that invites filmmakers from across the world to document their grandmothers’ signature recipes.
2018
Kelly
2013
Peregrina
Cóndor
2016
Redefining China's Family: Women
10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
2008
History and Memory: For Akiko and Takashige
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.
1991