Opening with dreamlike images of the city of Siena at night, this short sand animation evolves into a symphony of waving banners, distant voices and galloping horses. Created especially for Italy’s Siena International Short Film Festival.

Stuffed is a short stop motion animated film that follows Blu, a teddy bear, in their curious journey inside an abandoned fairground.
2022

In a golden, reassuring and muffled clearing, a young child explores the wonders of the landscape with his teddy bear until a frightening storm arrives, which threatens their serenity.
2021

Under great pressure, humans undergo similar steps of metamorphism.
2021

A widowed grandmother lives alone in her house, every day they repeat themselves with the same habits, when one day something unexpected happens. From the radio there is a rumor that something terrible is awakening from the cemeteries, the dead have returned to walk among us!
2021

A cold dinner is a dish with bad news. Today it will be more disgusting and destructive than yesterday; and tomorrow will not come at all.
2020

Sir John Lubbock’s true story and his scientific writings on Ants, Bees & Wasps stood out as contemporary for the co-directors, Osbert Parker & Laurue Hill who worked in collaboration. Themes of cultural displacement, civilisations and environmental concerns were found in their interpretation of Lubbock’s story still relevant today. A diverse range of techniques from, stop-motion, 2D cut-out’s and digital animation is combined to tell a bizarre and beautiful love story with a sting in its tale.
2018

An unapologetic take on the vicious cycle of earning too little and consuming too much.
2017
A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'
1990

A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat.
1988

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.
1987

Three surreal depictions of failures of communication that occur on all levels of human society.
1983

An old circus clown has an unpleasant problem-even when he washes off his clown makeup, he still has a big red smile.
1983

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
1968

A group of puppets in a handmade world encounter a giant visitor with an unexpected surprise.
1967

The scissors cut out a little man with huge boxing gloves from black paper. The boy comes to life and is immediately convinced of his punching power. So he grabs the scissors himself and cuts out a huge opponent to demonstrate his strength. He makes a complete fool of himself in the process. It doesn't help that he cuts his opponent smaller and smaller and finally even sticks him down with glue. Although he adorns himself with the laurels of victory at the end, it is clear that he is just a ridiculous paper hero.
1964

Simple artistic structures, including dots and moving lines, create a story.
1964

A little frog jumps out of the pond and wants to see the world. He is excited about new discoveries, not yet knowing about the danger of the stork. He almost gets eaten by the stork, but the frog saves himself at the last minute.
1964
Pojar’s wickedly humourous satire pokes gentle fun at a speechmaker so enamoured with the sound of his own voice, he is oblivious to the effect he is having on his audience. Pojar details their bafflement, fidgets, whispers and snores with great imagination.
1963

The first puppet film shot in CinemaScope. It is based on the famous poetic comedy by William Shakespeare. Three worlds meet in this story: the noble world of three Athens couples, a common popular world of tradesmen amateur theatre and a fairy-tale happiness of magic creatures as elves and nymphs. The film is considered the most remarkable Jiří Trnka's work and a milestone in the history of the world animation.
1959

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.