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A study of light, wind, and shadow -- made among friends. Shot and edited in less than 24 hours.
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An Act of Resilience
A strange orchestra of bodies, light, reflections and shadows throught shots of brief action and surprising appearances of humans and animals. A small film rejecting hierarchy while finding connectedness of love and affection in the small gestures of life.
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Uprising Smoke
A film director. A protest against the 6x1 work schedule. And there is always this guiding, meditative voice that controls the impulse to revolt, that isolates, atomizes the being. In this confusion, it's necessary to choose a side - or at least be aware of the side chosen. There is no not choosing.
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I Don't Repeat it Twice
The film examines the blurred line between the event and its subsequent interpretations, turning personal memories into a site of uncertainty.
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Flower Power - Dutch Women Painters of the 17th Century
In the 17th century, advances in the natural sciences and the invention of the telescope led Dutch women painters to closely study nature and include reptiles and insects in their art. Women such as Maria Sibylla Merian, Alida Withoos and Maria Moninckx advanced botany and zoology with their highly detailed paintings. Almost forgotten, now their works hang in many important museums around the world.
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Ser Parte
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Lugar de Nadie
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Inner Reflection
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Wrap de Perú
He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.
2024
Don't You Feel Lovely Today
Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?
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Nights Like These
A boy skating through the night filming whatever catches the human eye in an urban neighborhood.
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The We Should Game
Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.
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Asbjørn Høglund - A gatekeeper in the shadows
In this film, we get to know the socially engaged sculptor Asbjørn Høglund, who has made a deep impression through his contributions to the public sphere. Hundreds of people pass several of his sculptures every day, but few know who the artist is. Asbjørn is represented at the National Museum of Norway, but during his 85 years he has only had two exhibitions and remained in the shadow of his sculptures throughout his life. The film explores his creative process, his legacy, and his lifelong dedication to his craft. Viewers get an intimate glimpse into his daily studio routine and experience the third exhibition of his life at Galleri Vanntårnet. As the artist reflects on his life's work, the film presents a moving contemplation of art, aging, and the enduring power of creativity.
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The Grass Dwellers
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
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Soul Cage
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Jumbo/Toto, Stories of an Elephant
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Palin on Redpath
Michael Palin travels to France in search of the Mediterranean view on his wall, captured by his favourite artist, Scottish painter Anne Redpath. He travels from a London bank, via a chateau in Cap Ferrat and a monastery in Edinburgh.
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In every part of every living thing is stuff that once was rock
On Lanzarote — an island that is little more than solidified fire — a hand-built lens turns toward black lava fields, ash and mineral light. The 16mm is developed on the island and reworked through double exposure, chemical alterations and contact printing experiments. Beneath the images runs a composition of the filmmaker's own, drawn from lava stones and ceramic flutes. Its title taken from Lorine Niedecker's Lake Superior — "In every part of every living thing is stuff that once was rock / In blood the minerals of the rock" — the film follows that single thought to its conclusion: that flesh, breath and eye are made of the same slow mineral time as the ground beneath them.