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Experience epic game music in a whole new light. At DR Koncerthuset, the 150-member Danish National Symphony Orchestra and Concert Choir turn the hall into a series of vivid sound-scapes drawn from beloved video games – from the heroic sweep of The Legend of Zelda to the modern intensity of League of Legends. Special guest Eivør Pálsdóttir lends her powerful Nordic voice to the hit song “Legends Never Die,” joined by rising Danish soloists Isabel Schwartzbach and Adam Riis. Under the direction of James Sherlock, every melody is re-imagined for full orchestra and choir, creating 70 minutes of stirring, cinematic music that speaks to gamers and newcomers alike. Gaming X Symphony – Legends and Quests in Concert: discover the stories, the emotion, and the spectacle of game music—performed live on stage.
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Shania Twain: Not Just a Girl
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The early 70s is a golden epoch of our popular music. Hundreds of songs of exquisite beauty. Groundbreaking sound. Futuristic suits. How and whence could all of this emerge in a Soviet socialist republic? How did a brand new music scene, original in sound and philosophy in every way, and at the same time absolutely in sync with global music trends come forth? They weren't that fond of the Soviet label «VIA». And since neither of us is fond of this acronym, let us rechristen this music.
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Walking the Changes - Legends of Double Bass in Jazz
Be it the musical expression of Dave Holland, the melodic phrasing of Scott LaFaro, the inventiveness of Charles Mingus or the flawless technique and artistry of Ray Brown, in jazz, as in most music, the bass is the bottom line. Walking the Changes centres around pivotal moments in the history of the double bass in jazz. Featuring exclusive interviews with the bass players who’ve pushed the boundaries of rhythm-section playing, elevating the instrument from a mere time-keeping role, to visionary composers and improvisors. With never-before-seen performance footage, studio outtakes and rare photos, this film unpacks the music of the best jazz bassists of all time.
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Mountain Monsters: A Tribute to Trapper
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Aznavour by Charles
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The Revolution Of El Harrachi
The artistic journey of Dahmane El Harrachi, born in 1925 in Algiers, bears the mark of his experience. An attentive and vigilant observer of the environment of immigrant workers, Dahmane has always avoided falling into the ambient miserabilism. From the Algerian Chaâbi, he has kept certain melodic lines and a clear propensity for sayings drawn from the oral poetic tradition. El Harrachi uses simple language, understandable by all popular sectors of the Maghreb, which partly explains its wide success. In 1949, he went to France and it was in cafes, springboard places where people come to breathe the air of the country, that he performed regularly. Elegant, with his beautiful atmosphere, the “bluesman” of the suburbs seduces, upsets and stirs consciences. Discovered late by the new generation, the creator of Ya Rayah met a tragic end, on August 31, 1980, in a car accident, on the Algiers coast which he sublimated above all else.
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Dixie Chicks: Shut Up and Sing
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
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Sister Act
When lively lounge singer Deloris sees her mobster beau commit murder, she is relocated for her protection. Set up in the guise of a nun in a California convent, she proceeds to upend the quiet lives of the resident sisters.
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Four socialites unexpectedly clash: heiress Brooke Carter runs into gambler Johnny Spanish at the race track while playboy Michael O. Pritchard nearly runs into stage star Kitty O'Kelly with his car. Backstage at Kitty's show, it turns out she and Brooke are old friends who attended public school together. The foursome do the town, accompanied by Brooke's companion Elizabeth, who throws herself at Michael's butler and chauffeur Rodney James.
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Viva Las Vegas
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Beat the Band
Singer Ann wants back her money that the manager of a big-band has embezzled.
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