Alvin Queen is one of the best jazz drummers of all time. A child prodigy, he played with the greatest masters (Oscar Peterson, Dizzy Gillespie, Dexter Gordon, Pharaoh Sanders... ) He is also a very nice person who has a lot of wisdom to transmit. He shows it beautifully in this first episode of "Seeds of Success".
Alvin Queen

The film chronicles a unique artistic experiment: pianist Stefano Bollani (the director’s husband) brings together an ensemble of Italian jazz legends and rising stars in a home studio to prepare for a one-of-a-kind concert.
2025

The brilliant self-taught pianist Erroll Garner left his mark on jazz forever. His song Misty, which he allegedly composed between two concerts on an aeroplane, immediately became one of the great jazz standards and is still one of the most covered ballads in the world today. Who was the man behind the ever-friendly smile from the ghettos of Pittsburgh, whose talent brought him to the biggest international stages?
2024

Laufey takes the audience on a spell-binding sonic journey under the stars, performing alongside the legendary Los Angeles Philharmonic.
2024

Double bassist, singer, composer and arranger Avishai Cohen is renowned for his virtuoso playing and emotional live performances. And he's unrivalled at finding the musicians who have the potential to take over from the jazz greats.
2024

Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.
2024

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.
2019

A biographical film featuring the music and times of Bill Evans with interviews from Tony Bennett, Jack Dejohnette, Billy Taylor, Paul Motian, Jon Hendricks, Orin Keepnews, Bobby Brookmeyer, Pat Evans and more, including family and friends who knew Bill Evans well.
2015

Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...
2014

Alongside his work of nearly 30 years as a drummer with iconic rock band the Grateful Dead, MICKEY HART has flourished as a solo artist,bandleader and author. INNOVATORS IN MUSIC was fortunate to spend the better part of two days at Mickey's home and studio in a remote area of northern California
2013

Recorded Live at Tokyo International Forum Hall A on December 9th, 2007
2009

Acclaimed jazz vocalist Jane Monheit -- an artist whose voice is often compared to that of Diana Krall and Ella Fitzgerald -- delivers a heartfelt set in this memorable 2004 performance filmed live at the Brecon International Jazz Festival in Wales. The evening's mix of standards includes "In the Still of the Night," "Embraceable You," "Bill," "Too Late Now," "Honeysuckle Rose" and "I Should Care."
2005

Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
2004

In the 1930s, jazz guitarist Emmet Ray idolizes Django Reinhardt, faces gangsters and falls in love with a mute woman.
1999

This riveting music documentary traces the history of Jazz piano legend Oscar Peterson, from his early days as Montreal's teenage Boogie-Woogie sensation through his meteoric rise to international celebrity with Norman Granz and the ground-breaking Jazz at the Philharmonic and beyond. In this award-winning autobiographical portrait, legendary jazz pianist Oscar Peterson narrates his story, from his beginnings in smoke-filled Montreal clubs to hallmark performances with jazz greats. Concert footage includes an unforgettable combo -- Nat King Cole with Jazz at the Philharmonic and the Oscar Peterson Trio Wall reunion. Quincy Jones, Ella Fitzgerald and Dizzy Gillespie are interviewed, among others.
1995

Tenor saxophone master Sonny Rollins has long been hailed as one of the most important artists in jazz history, and still, today, he is viewed as the greatest living jazz improviser. In 1986, filmmaker Robert Mugge produced Saxophone Colossus, a feature-length portrait of Rollins, named after one of his most celebrated albums.
1986

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.
1986

The history of American popular music runs parallel with the history of a Russian Jewish immigrant family, with each male descendant possessing different musical abilities.
1981

Sun Ra and his Solar Myth Arkestra return to Earth after several years in space. Ra proclaims himself "the alter-destiny", meets with inner-city youths and battles with the devil himself to save the black race.
1974
1970

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
1963