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On the Sea

A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.

2026

An Unholy Dance

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into the darkness and roam its streets with horns, bells, and smeared with soot. Una dança non sancta could have been just an anthropological documentary. Instead, it delves into the inferno with the town’s residents to participate in and immortalize this unholy ritual.

2026

giiwe πρό bizhiw / bizhiw πρό giiwe

Made as part of the Winnipeg Film Group's "Super 8 Special" film incubator. This picture was captured on super 8 film, drip dyed with a mixture of india ink and water collected from Lake Winnipeg, then digitized and captured on VHS.

2025

In the Darkness

In the Darkness is a Super 8 short film that, based on a cinematic diary, delves into the rumors circulating in a small Argentinian town. The images accompany the way in which the gossip is uttered, transformed through word of mouth, and, in its repetition, shapes collective perception.

2025

Exposure

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

2025

A Little Regret in Helsinki

A Chinese girl returns home to Helsinki, with a desire to reassess her feelings about home, perfection, friendship, and regret. A tender dialogue is raised between father and daughter.

2025

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

2025

Archive of Life

This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.

2024

365 jours

2024

the lab

Observations of birds and other wildlife at the Cornell Lab of Ornithology, and a Forest in Ithaca, NY.

2024

Skip Liberty: Shooting in Vietnam

Skip Liberty enlisted in the Army in 1968. During his tour in Vietnam he shot 3,100 feet of Super 8 film, over 3 hours worth. Upon returning to the states the film was placed in storage, Skip had never seen the footage he shot. Until now.

2024

Fog on the Mountain

Fog surrounds the peak of a mountain as summer wildflowers bloom.

2023

Fuel

A badboy meets his dream car...

2023

Winter's End

A short film shot on Super 8 which captures the last days of winter.

2022

The Butcher Filmmaker

This is the story of Roger, a former pork butcher, who worked for 40 years in the beautiful town of Beaune in Burgundy. Since he retired, he has started a new life as a filmmaker: Roger films only on Super 8. Insects, birds, everything he can find in the countryside are his favorite subjects. His short films have won prizes all over the world, some of them have been shown during the Cannes Film Festival. Josette, his wife and number one fan, happens to work for him from time to time.

2022

Crono psi

Accumulated life experiences. The expansion of an edge south of my watch.

2016

Reality 86'd

Three bands and crew (a combined total of 13 individuals), 2 Dodge Ram extended cab vans, one equipment truck, one PA system traverse the continental US for six months. A road documentary shot from the inside of the last Black Flag tour ever (the 1986 “In My Head” US tour.) Featuring behind the scenes proceedings and live performances from Black Flag, Painted Willie, and Gone. David Markey was along for the entire trip as the drummer / singer for Painted Willie, documenting the six month tour with his Super-8 camera as it happened. Also features roadie Joe (“Planet Joe”) Cole, soundmen Davo Claasen and Dave “Ratman” Levine, and the tour manager who kept it all together, Mitch Bury. A crucial turning point in American underground rock. The end of the line for a trail blazing American band. Shot in 1986 and completed by director David Markey in 1991 for We Got Power. (futuristika.org)

1991

The Devil Has the Biggest Tits You Ever Saw

Our host Dr. Dramaminex Dante seeks to answer the question: Who knows what the devil looks like? For no one really knows.

1984

Vivencial I

Short by Jomard Muniz de Britto

1974

And what are you afraid of?

A girl encounters a doppelgänger and does everything she can to escape from it, in a Super 8 subtropic Experimental film shot with Kodak