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Bearing Witness Native American Voices in Hollywood

For over 100 years, Hollywood cinema has crafted the ultimate "villain"- the Indian, as they were labeled in early Westerns. Confined almost exclusively to this genre, the Western became a vehicle for American racism, obscuring the genocide upon which the United States was built. In this documentary, only Native Americans are given a voice to share their story, one that has been overshadowed by Hollywood's portrayal. Their narrative, part of the larger American story, highlights how cinema has long been used as a powerful propaganda tool, distorting history and perpetuating harmful stereotypes.

2025

Aitamaako'tamisskapi Natosi: Before the Sun

An intimate and thrilling portrait of a young Siksika woman and the deep bonds between her father and family in the golden plains of Blackfoot Territory as she prepares for one of the most dangerous horse races in the world… bareback.

2023

We are not legends

What is it like to be young and grow up on a reserve? Focussing on music lessons, the film reveals the complex relationships that Indigenous youth can have with their “white” teachers. How can two cultures come together? A question the film asks, while inviting us into the private worlds of three Atikamekw teenagers, Myrann, Wapan and Seskin, who are trying to build their future and find a place in this world.

2019

Thittivasal

A collector, a cop and a minister want to displace a community of tribal people from their mountain homes for their personal gains.

2017

Buffalo Soldiers, Victorio and Manifest Destiny

A look into the 19th century American-Indian Wars, Manifest Destiny, and the conflicts between Apache tribes and the African-American Buffalo soldier regiments.

2017

Pride of the Buffalo Soldier

African American soldiers throughout the 19th and 20th Centuries faced discrimination and segregation, yet many still chose to fight for their country.

2017

Xapiri

Xapiri is a Yanomami term that characterizes the shamans, male spirits (xapiri thëpë) and also auxiliary spirits (xapiri pë). Xapiri is an experimental film about Yanomami shamanism that was filmed during a meeting of 37 shamans at the Watoriki Reserve, Roraima, in March of 2011. The film was designed to take into account two different notions of image: those of the Yanomami and ours. Therefore, it does not set out to explain shamanism, its methods or procedures, but to allow different cultures to visualize and feel the way in which the shamans “embody” the spirits, their bodies and voices.

2016

Homeland Nation: Mescalero Apache

In the Sacramento Mountains of Southern New Mexico In the shadow of Sierra Blanca Peak Live the proud people of the Mescalero Apache With a history of peace, and unimaginable struggle The Mescalero live to honor their ancestors While fighting to survive in a modern world This is their story, in their words, from their Homeland Nation.

2011

The Relic

A homicide detective teams up with an evolutionary biologist to hunt a giant creature that is killing people in a Chicago museum.

1997

Hopi: Songs of the Fourth World

A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.

1983

Navajo Film Themselves

Navajo Film Themselves is a series of seven short documentaries: Intrepid Shadows (1966), The Navajo Silversmith (1966), A Navajo Weaver (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966).

1966

Carnival in Québec

This colorful archival record of Québec City's Winter Carnival shows that many popular events of today—pageants, parades, boat races, folk dancing, fireworks, and torchlight skiing—were also favorites many years ago.

1956

Apache

Following the surrender of Geronimo, Massai, the last Apache warrior is captured and scheduled for transportation to a Florida reservation. On the way he manages to escape and heads for his homeland to win back his girl and settle down to grow crops. His pursuers have other ideas though.

1954

Come Back, Sebastiana

The story of a poor girl who leaves her starving family and sheep for a more prosperous village. Her grandfather finds her and tries to convince her to return to her home.

1953

Fishing Feats

With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.

1951

She Wore a Yellow Ribbon

On the eve of retirement, Captain Nathan Brittles takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.

1949

Glacier Park and Waterton Lakes

We begin at the train station near Montana's Glacier National Park, where Blackfeet Indians meet the arriving tourists. Glacier Park, an off-screen narrator tells us, has the remnants of 60 glaciers, from three ice ages. We visit the lodge, built in Swiss style, where college students dressed in Swiss garb do the serving at the restaurant. We watch Indian dancing and a ceremony. After views of lakes, mountains, and trails in the park, it's north to Canada's Waterton Lakes, a vacation spot for Canadian and U.S. families.

1942

The Invincible Shuar People of the Upper Amazon

Scenes of daily life in the Indian communities of Ecuador.

1926

Annie Mae: Brave Hearted Woman

The film is a portrait of Annie Mae — what she lived for and ultimately died for — a personal perspective of recent Native American history also emerges. The film, winner of several awards, focuses on the long-standing and pervasive problems of Native Americans and was written, produced and directed by Lan Brookes Ritz.

Tragedies of the Osage Hills

A lost film based on the 'Reign of Terror', a real-life series of several dozen murders committed against the Osage people. 'Tragedies of the Osage Hills' was directed by James Young Deer, the first known Native American film director, and boasted a cast of “hundreds of real Indians.” Described as a dramatic thriller interwoven with a “tender love story”, the film’s premiere in Cushing, Oklahoma occurred just months after the arrest of Ernest Burkhart, the subject of Martin Scorsese’s similarly themed 2023 film 'Killers of the Flower Moon'. The 'Cushing Daily Citizen' described 'Tragedies of the Osage Hills' as having a fictitious ending of the Osage and white men united under an American flag.

1926