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The Village on the Prairie: 50 Years of Prairietown

Founded in 1974 by Eli Lilly, Prairietown at Conner Prairie immerses guests in 19th-century Indiana life through trades, foodways, music and daily activities. In 2024, its 50-year legacy is celebrated with a documentary.

2025

Faint Traces

In Paris, Lola, a carefree artist, and Emma, a guarded runaway share a life of art, stolen thrills, and quiet intimacy. When Emma leads Lola into what seems like just another heist, the night unravels into a confrontation with Emma's past. What was meant to be a game forces them to test the unspoken bond that holds them together.

2025

I Don’t Have the Codes

This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.

2025

Mucho de Nada

A group of young people spend an afternoon on an outing in La Arboleda

2025

The Hallway

A college student finds himself trapped in an endless hallway where he must reconcile with his own anxieties.

2024

Memory Home

Upon moving into a new apartment, a young woman finds herself surrounded by strange events. Curious about the reasons behind the occurrences, the young woman is sucked into memories and daydreams, remembrances and forgetfulness, places and non-places.

2024

Tree of Nails

A folktale in Los Angeles.

2024

The Ringleader: The Case of the Bling Ring

In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.

2023

Hannah Arendt, la liberté d'être libre

In a time of resurgence of social protests, political radicalization and distrust of power, Arendt's thought has never been more relevant: A critical thinker according to some or a conservative according to others, this great figure of the intellectual world remains, in many ways, an enigma. Who was Hannah Arendt?

2023

Blitz

An elite college athlete contemplates taking Adderall as his last chance to pass a critical exam despite previously failed drug tests.

2023

The Gun and the Canary

"The Gun and the Canary" follows Jesse, a bounty hunter in the late 1800's on his search for a dangerous criminal known as "The Canary"

2022

Casual Workers

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

2020

Jean-Luc Mélenchon, l’homme qui avançait à contre-courant

2017

Titanic: The New Evidence

This documentary draws on new evidence to reveal that a fire was raging in Titanic's boiler rooms before she left port, that it was kept secret and, it's now believed, that it led to the tragedy

2017

Charlie Marx and the Chocolate Factory

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

2009

The Lives of Others

In 1984 East Berlin, dedicated Stasi officer Gerd Wiesler begins spying on a famous playwright and his actress-lover Christa-Maria. Wiesler becomes unexpectedly sympathetic to the couple, and faces conflicting loyalties when his superior takes a liking to Christa-Maria.

2006

Wag the Dog

During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.

1997

Kolya

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

1996

All the President's Men

During the 1972 elections, two reporters' investigation sheds light on the controversial Watergate scandal that compels President Nixon to resign from his post.

1976

Kuhle Wampe or Who Owns the World?

Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”

1932