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The sequel to the hugely successful documentary about the beauty of Slovak nature, featuring Nigel Marven, British wildlife filmmaker, screenwriter, presenter, and adventurer, known worldwide for his distinctive style, innovative programs, and enthusiasm. The sequel to the documentary Wild Nature of Slovakia with Nigel Marven 2 will show Slovak and international viewers that Slovakia is a "hidden gem of Europe" whose biodiversity rivals that of exotic countries around the world, with populations of bears, wolves, lynxes, and many species of birds, reptiles, and amphibians.
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Between the valleys, between the hills. In the footsteps of the future sound of Slovakia.
This is not just a “folkumentary”, but an invitation to reflect on the future of humanity on a planet where tradition and technology coexist, and where the unknown reminds us that there are still unanswered questions.
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Wild Slovakia with Nigel Marven
A documentary about the beauty of Slovak nature with world-renowned wildlife popularizer Nigel Marven... Nigel Marven is a British wildlife filmmaker, screenwriter, presenter and adventurer, known worldwide for his unique style, innovative programs and enthusiasm. He worked alongside Sir David Attenborough for 12 years. He has made more than 150 documentaries, visited all continents and conveyed the stories of amazing wild animals to viewers. This time he visited Slovakia to introduce the natural beauty of Slovakia to the whole world in cooperation with our nature filmmakers.
2024
So This Is Christmas
Illuminating the challenges often unseen beyond the toys, trees and tinsel, people in a small Irish village reflect on their difficult relationships with Christmas. "So This Is Christmas" is a heartwarming and charming portrait from award-winning director Ken Wardrop, which perfectly exemplies his innate ability to tell the stories of ordinary people, depicting their thoughts, feelings and experiences in an empathetic way. Beautifully rendered in 35mm, the film is authentic and compassionate, and a valuable addition to the Irish documentary canon.
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Koliba: Forgotten Glory of Slovak Film Studios
A documentary on how American films are made well at the renowned Studio Koliba, Slovakia and also the harsh and cruel view of why films do not go well in SR.
Rainald Grebe: Der Tod im Leben. Unheilbar krank zum größten Auftritt
After suffering a stroke during a performance, cabaret artist Rainald Grebe faces up to his illness. A touching documentary about his return to the stage.
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Ms. President
A time-lapse documentary about Zuzana Čaputová's tenure as President follows her political work, personal dilemmas and the difficult challenges facing Slovak society.
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Odkazy starého sveta
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The Killing of a Journalist
A young investigative journalist and his fiancée are brutally murdered in their home in Slovakia. Their deaths inspire the biggest protests in Slovakia since the fall of communism. The story takes an unexpected turn when a source leaks the secret murder case file to the murdered journalist’s colleagues. It includes the computers and encrypted communications of the assassination’s alleged mastermind, a businessman closely connected to the country’s ruling party. Trawling these encrypted messages, journalists discover that their country has been captured by corrupt oligarchs, judges, and law enforcement officials. A reckoning awaits.
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Providencia March of the Crabs
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Zlatí chlapci: Príbehy slovenského hokeja
Hockey is a nationwide phenomenon in Slovakia. It is more than just a sport. It has become synonymous with success, a unifying element of society. Recently, a generation of hockey players who achieved exceptional success during our independence has been ending their professional careers. They leave behind world championship titles, Stanley Cup victories, statistics, and news reports. A comprehensive view of their path to success has been lacking until now.
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Propeler - subkultúry mládeže
The concept for the film was developed based on sociological research conducted as part of the Youth Subcultures conference in collaboration with the Institute of Sociology of the Slovak Academy of Sciences. The film’s core value lies in its ability to provide an inside look at selected subcultures, achieving an exceptional level of engagement with their members. The filmmakers managed to break through the participants' initial reluctance to openly discuss their experiences. The documentary directly addresses key aspects of these subcultures, including drugs, faith, and personal beliefs. It focuses on six specific groups: the techno scene, graffiti artists, antifascists, religiously oriented youth, skinheads, and young people inspired by Eastern spirituality. The film includes footage from illegal rave parties, graffiti sessions, and other underground activities. Overall, the documentary serves as an insightful map of Bratislava’s contemporary alternative scene.
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The Gypsies of Svinia
Moved by a sense of outrage, David Scheffel, a Canadian anthropologist, is determined to help the impoverished Roma (Gypsies) rebuild their community in the eastern Slovakian village of Svinia. So-called “white” Svinia is a picturesque, typical Slovak village with well-kept homes, gardens, a store and a school. Some 300 metres past the last home is “black” Svinia, where the Roma live in squalid tenement blocks and one-room huts of sticks and mud-with no clean water or sewage facilities and with little hope of employment. Many Svinians, whose homes and gardens are regularly burglarized by the desperate Roma, have lost all patience and sympathy. Throughout Eastern Europe, the painful transition from communism to democracy has relegated the Roma to the farthest, most grotesque margins of society. The Gypsies of Svinia is a testament to the firm resolve of Scheffel and the Roma to make things better.
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Pictures of the Old World
A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.
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