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39: A Film by Carroll McKane
Carroll McKane's DVcams have recorded the deaths of his 36 past victims. His killing room, a makeshift studio, is the set for the murders of two more victims and the torture of a forensic psychiatrist, destined to be his biographer and the killer of his final victim... number 39.
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A troublesome individual is put against a jury. Is he capable of life in a joyous community, where a smile never leaves faces?
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Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
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On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.
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The Alphabet Murders
The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials.
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The Strangler of Blackmoor Castle
A strangler is loose on a British estate, and he not only strangles his victims but brands an "M" onto their foreheads before he decapitates them.
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Murad Salem is a rich man who is used to getting what he wants whenever he wants it. When he meets a beautiful woman in Alexandria, he wants her as wife number thirteen. He buys himself into the heart of the woman, until a well-meaning, former fiancée of her husband tells her just how many times he has been divorced. The new bride launches into a series of ploys that keep her away from the marriage bed.
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Pretty woman suffer from jealousy of her husband .
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Al-Usta (Bahbah), the barber, lives in the city of Baghdad, and one of his customers, Sheikh (Makhlouf), tells him: Shahbandar al-Tajjar said that he had a son who was constantly ill, named (Qamar al-Din). He suggests that he get him a slave girl, perhaps she will bring joy and happiness to his heart. Indeed, his father buys a slave girl named Baddour. She discovers that the cause of his illness is his love for (Shams), the daughter of the judge, so Badour suggests that he convince his father to guide her to the judge so that she can be the messenger of love between (Qamar) and (Shams), and Bahbah helps her in that. He knows the judge. By order, he imprisons them all and they try to escape.
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The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
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