
A vampiric trio facilitates the transition of a new host across a former limestone quarry and the sacred mountain grotto of Mary Magdalene, troubling the binaries of life, death, gender and parasitism. Monuments to female saints become poses of living queer memory, as skeletal remains are transformed with embellishments. A mosquito draws blood with its proboscis and hormones are drawn using a syringe, as the remnants of an extracted zone is now overgrown with lifeforms.
2025

2025

In all of his existences, KOBE KOTORO embarks on an everlasting odyssey through the home of his mind. A transformative journey in hopes to find understanding, identity & reflection. And if nothing else; the freedom to try again.
2025

In Bloom is an abstract Gothic Romance short film by writer-director Christopher Rosica, blending experimental cinema with the timeless themes of love, loss, and memory. Crafted with a meticulous attention to atmosphere, the film offers a haunting exploration of the boundaries between the living and the dead. Shot in evocative black-and-white on a Fujifilm XT-30 by up-and-coming cinematographer, Xuepei Hou, In Bloom pays homage to the aesthetic traditions of visionary filmmakers such as Bergman, Tarkovsky, and Fellini, while drawing narrative inspiration from literary icons like Mary Shelley and Henry James.
2024

2024

A man on his way to an interview stumbles upon a surreal VOID, ANCIENT TEXTS, and ENIGMATIC FORCES.
2024

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.
2024

An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.
2024

A small collection of red rocks from the beach cycle through the primary colours before ultimately losing both their colour and form, abstracted through digital degradation. An experimental short film exploring newfound issues in preservation in the digital age and how this ties to our own memory, fading as the years go by.
2024

With closed eyes, a woman stands in serene stillness, her skin becoming a canvas where neutral pigments intertwine. She dances and reclines, embracing vulnerability as she finally opens her eyes and confronts the cruel world within her soul.
2023

Flashing lights explode across an apartment as images of a woman in bed flicker in and out.
2023

Ozymandias recites Percy Bysshe Shelley's poem of the same name. Selected AI-generated images and text-to-speech narration - with their vutlure-like generative methods, and already rapidly-dating aesthetics - are placed in parallel to the poem's explorations of legacy, decay, futility, and the future.
2023

A visual reinterpretation of dance and animated found footage.
2022

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.
2022

A semi-found-footage artistic film exploring shifting self-perceptions and the horror of liminality.
2022

Abstract video art set to the music of Philip Glass.
1983

Experimental short animated film by Péter Molnár
1982

An NTSC space opera.
1981

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).
1978

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.
1977