For as long as she remembers, Francisca lives with an inexplicable and uncontrollable aversion to belly buttons. Nothing makes her more anxious than this simple part of the body and the shapes in the world that resemble it. When therapy isn't enough to solve her cherished phobia , Francisca turns to other types of methods - without any scientific basis and not recommended for anyone who suffers from the same condition.
Catarina Mourão, Francisca Alarcão, Maria Novo, Rodrigo Soares Teixeira

A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
2024

Using poetry, interviews with psychologists and survivors, and corporeal imagery, Broca is an experimental documentary hybrid that explores how the mind-body connection is altered after trauma. The Broca’s Area in the brain is involved primarily in speech production. During a traumatic event or when trying to recall a traumatic event, this area shuts down. This makes it harder for a survivor to talk about what’s happened. Our project is an experimental documentary hybrid that offers a platform for survivors to tell their stories both verbally and non-verbally.

Amidst rising xenophobia, three South Asian settlers paint a more holistic picture of what Brampton is today. The film acts as a fleeting memory, creating vignettes of the ever changing cultural pocket, through multi language prose and 16mm film.

A filmmaker revisits her childhood, interweaving 16mm vignettes and her old child services documents, uncovering the truth she couldn't voice as a child.
2026

A celebration of home and belonging in South London. This is a film that tows the line between documentary and narrative, and celebrates neighborhood and the rhythms of everyday life in South London. Friends for over a decade, their closeness runs through the piece; rooted in lived relationships, it resists spectacle in favor of quiet intimacy.
2026

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
2025

A seagull, a dog, a child, a call to prayer; Looking through a window, the corridor of a train, the wall of a medina; Everyday life is momentarily paused through the eyes of a stranger in an unknown land.
2025

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).
2024

Amidst the ivy-draped remnants of once-notorious public housing projects, FOR THOSE THAT LIVED THERE weaves a visual tapestry, navigating the poignant impacts of gentrification, the displacement of Black legacies, and the emergent migrant narratives. Against Chicago's ever-evolving skyline, this evocative exploration immerses audiences into the soul of a neighborhood transformed.
2024

Clouds forming and moving through the summer sky.
2024

A close look at flowers and pollinators on a sunny summer morning.
2024
Film about the Ethiopian famine of I984/85 and the measures taken to combat it
1985

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
2025

2024

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.
2023

The 1974 coup d'état set in motion a revolutionary process in which the radical transformation of the relationships that had previously existed within the family, in the workplace, and throughout society has never allowed for a return to the past.
1976


"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
1976

Sunlight in a winter forest.