Theatre director Jan Kačena poisoned himself in 2019 by inhaling fumes and suffered irreversible brain damage. While his partner makes a film as a declaration of love, he lies unconscious. In the film, the director follows moments in the everyday lives of three people close to him: Czech rapper Tyler Durden, painter Tadeáš Pochman and film director Helena Papírníková. In a naturalistic way, it captures drug addiction, self-destructive tendencies and family problems, which are the subject of intimate, often uncomfortable conversations. The result is a diary-style probe into the fate of the artistic bohemia of late capitalism.
David Štilip, Tadeáš Pochman, Helena Papírníková Horáčková, Kateřina Dudová, Jan Kačena

Washed up adult film star Buster Coffey attempts to get his career back.
2025

A Deep Dive into the life of Stephen Zivkovic, the owner of the last DVD rental store in Adelaide.
2025

The word trauma has many shades. The documentary Confession opens up the topic of sexual harassment in the church, which the director has experienced first-hand. She looks back at the world before the trauma, and searches for answers herself to the questions of whether she will be able to come out of it after some time, and whether she will find the courage to tell her parents about it.
2025
Baptist Fernandes is an undertaker by trade, but he has dealt with death all his life.
2024

The physical media format of film is in a constant state of unease, but what happens when industry professional and legally blind business owner, Shelby McIntyre, takes it upon himself to open Tampa’s only true video shop?
2024

The director, a young man in his thirties going through a life crisis, approaches his estranged parents to help him paint his apartment. Conversations accompanied by a paint roller and paint thinner open up old wrongs while revealing the complexity of interpersonal relationships. The absence of communication, or the lack of will to communicate, as a symptom of contemporary family ties, stands in contrast to caring for a family of pigeons that has made its nest on the director's balcony. The film, in its civility and authenticity, follows the lessons of a book dedicated to amateur filmmakers and thus enters into a subversive dialogue with the paradigms of film pedagogy.
2024

Arturo Urbiola, independent singer/songwriter, talks about the influence music has had on his life, it's impact, and what's in store for his artistic career after becoming a father.
2024

Archive footage from 2006 - 2010 of a young girl growing up during the ages of four to eight. Only fragments of what is remembered exists. Words from a transgender man float to the surface as fleeting memories go on.
2022

The primary motif of the documentary is the journey. A metaphorical journey, a spiritual journey, a tangible journey, a forest path, a road, a sidewalk, a drug trip, or a journey abroad. The director pastes together a collage of micro-stories of people and places that comment on the journey. Her documentary oscillates between playful absurdism, existentialism and existential questions, environmentalism, and social commentary. The dynamism and rhythm of the narrative are then determined by the jumps between different forms of video, such as analogue film, digital film, and mobile phone filming.
2022

Two instants separated by 99 days conflict with each other.
2022

The Faces of Parkinson shows the people who suffer from Parkinson's disease and the impact it made on their life and people around and close to them. As it also asks the question how one continues to stay positive with such a destructive disease.
2022

With the banning of the religion in 1972, male Jehovah's Witnesses are made to spend their National Service in the detention barracks for two and a half years or longer. This documentary follows the lives of three male Jehovahs Witnesses and their lives in Singapore as well as the first Witness who was imprisoned in 1972.
2021
Film in hand. Carnival in the global village.
2002
2002
Elen Řádová and Tomáš Mašín’s student work draws on the genre of action films, which are characterized by emotionally intense and violent scenes. Excerpts from period blockbusters are supplemented with visual effects and edited in a way that drives the particularities of the action film genre to the point of absurdity. The resulting visual whirlwind thus deliberately escalates—and thereby diminishes—the dramatic impact of the original footage.
1993
A short Czech film which documents a large family and the house they have built by hand.
1968

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.
1964
1954
1954
A report from a Svazarm summer training camp where trained instructors dedicate themselves to providing children and young people with defence education.
1953