
Jean-Michel Jarre unveils an immersive concert-show in the heart of Seville's sumptuous Plaza de España, transformed into an exceptional stage setting for one evening.
2025

TAKE ME WITH YOU!! is the sophomore album and debut visual film from Ghostnaps, the solo project of Boston-based artist and producer Richard Lathrop.
2025

Short film based on norwegian writer Jan Erik Vold's concrete poem with the same name, from Kykelipi (1969).
2025
a short film documenting a day in the life of cl0ud
2023

When navigating a labrynth, be wary of any surprise portals.
2022

Ever Deadly weaves concert footage with stunning sequences filmed on location in Nunavut, seamlessly bridging landscapes, stories and songs with pain, anger and triumph—all through the expressions of Tanya Tagaq, one of the most innovative musical performers of our time.
2022

The muted despair and confusion of Rob Ford or something like that.
2021

Live! School Idol Festival ~Yume no Hajimari~ (ラブライブ!虹ヶ咲学園スクールアイドル同好会 3rd Live! School Idol Festival ~夢の始まり~) was Nijigasaki High School Idol Club's live concert that took place at MetLife Dome on May 8 and 9, 2021.
2021
The official music video for The Great Big Ben song 'SUCKIN BIG DICK' on the album 'The Most Unnecessary Album Ever Vol. 3.'
2020

Delve into a musical concert and relive moments from "One Day We'll Talk About Today," a film about family and intergenerational trauma.
2020

A music video directed by experimental director Anna Malina for Catherine Watine's EROS & THANATOS from her 2020 album INTRICATIONS QUANTIQUES.
2020

From the void of space, a cube structure comes to life in this experimental visual music film.
2014

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”
1952

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.
1937
An experimental short from Oskar Fischinger
1931

A child born deaf enjoys a musical concert through vibrations and a hearing aid, imagining visuals based on what he hears.

Here the artist creates a world of color, form, movement and sound in which the elements are in a state of controllable flux, the two materials (visual and aural) are subject to any conceivable interrelation and modification.
1940

A play of colours, shapes and music: colourful dots, lines and surfaces move to the rhythm of the music. A short film by Hans Fischinger, the younger brother of experimental film pioneer Oskar Fischinger.
1939

An abstract film in which every motion of coloured shapes is in strict synchronization with music. Preserved by the Academy Film Archive in 2000.
1935