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Women of different nationalities live in central Dagestan: Avars, Kubachinks, Lachki, Godoberinki, Didoiks. In 1994, obstetrician-gynecologist Aishat Magomedova opened a charity hospital for them in the center of Makhachkala. She was worried about the situation of mountain women in the villages of Dagestan, where there are no roads, gas, and water. According to local traditions, all the physical labor in the family household falls on the woman: caring for the livestock, in central Dagestan women of different nationalities live: Avars, Kubachinks, Lachki, Godoberinki, Didoiks. In 1994, obstetrician-gynecologist Aishat Magomedova opened a charity hospital for them in the center of Makhachkala. She was worried about the situation of mountain women in the villages of Dagestan, where there are no roads, gas, and water....
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Stories of Strength and Hope: Preventing Youth Suicide
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A non-narrative short film tracking the movement of a flock of women through a megalithic landscape. They appear to be working, enacting a cryptic ceremony with a sense of calm & purposeful labor. A score weaving together their breath & hums with sounds collected from the landscape: wind, Rattlesnake grass & their hands rubbing against stone. The women's gestures come from both work & dance – evoking the strange overlap between labor & ritual. This film began as a response to the physicality of daily life as a mother & the rhythm of these acts; the relentless repetition of parenting, working, tending the world with our bodies. This repetition can easily become vacant labor, but it can also transform into a kind of meditative, even transcendent ritual, a collective communion with the landscape & each other. ALMA offers itself as a companion piece to McKenna’s photographic rubbings, a glimpse into the same world from where her art arises.
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