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Le temps des femmes ?
Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.
2025
Raise Her Up: Celebrating a Century of Votes
Raise Her Up follows the historian, advocate, and artist creating a statue of Armine Gosling, marking 100 years of womens suffrage in Newfoundland.
2025
I Don’t Have the Codes
This is the story of an ordinary man transformed by history. A simple baker from Besançon who became a political symbol of resistance. That of a France that knows how much it needs others to grow. Of working classes rejecting the siren calls of populism. He says: "I was nothing and I became a monster" to express the vertigo of his transformation. And so the baker entered politics, visited the United States in the footsteps of Martin Luther King, brought aid to the Ukrainians, and ran for legislative elections. Fearless. Fighting with all his heart. It is this inspiring, touching, and funny human epic that Pedro da Fonseca's camera followed closely, capturing his doubts, his hesitations, and his emotions.
2025
Derniers soins
While everyone wants to die "at home" without suffering and surrounded by loved ones, in reality almost everyone dies in hospital. What healthcare provisions enable people to die at home? Are we all equal in terms of the support we receive, regardless of where we live? Young caregivers in a home hospitalization unit drive day and night along the Alabaster Coast. From house to house, from dying person to dying person. Accompanying a dying person at home also means accompanying their loved ones, immersing oneself for a few days or weeks in the intimacy of a family history. Thanks to them, the end of life returns to the home, to the family, and is rehumanized.
2025
In retrospect
Immigrant workers build a shopping mall for the upcoming 1972 Olympic Games in Munich. In 2016, nine people with migrant backgrounds are killed in a racist attack at the same mall.
2025
Gaëlle n'aime pas l'été
“Let them eat cake!” laughs a Marie-Antoinette from the dunes... Gaëlle loves to dress up. Under her wigs, Gaëlle plays with codes and the surprise her appearances provoke. Each of her wigs explores a part of her femininity, her self-confidence and her relationship with the gaze of others... Above all, all her wigs hide a secret.
2024
Hrash
Inès, of North African origin, has frizzy, unruly curls. But why should she bother straightening it? Where does this obsession with straight, neatly styled hair come from?
2024
Mama Micra
The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.
2024
Our Body
In a Parisian public hospital, Claire Simon questions what it means to live in women’s bodies, filming their diversity, singularity and their beauty in all stages throughout life. Unique stories of desires, fears and struggles unfold, including the one of the filmmaker herself.
2023
Fire in the Heart
In Aix-en-Provence, feminist slogans dot the walls of the city. This is the work of "Les colleuses". Their goal: to claim their place in the public space, and to denounce patriarchal violences. For a month, we follow young Ameline and her friends. They tell us about their process, the reasons for their commitment, their doubts and their hopes.
2023
On the Other Side
The oldest Quebecois Benedictine convent open its gates to a documentary filmmaker for the first time. Observed up close, life behind its walls is busier than one would expect. About twenty cloistered nuns, most of them over 70, share their daily life with diligence and humor. A contemplative portrait of a community of sisterhood and solidarity emerges, punctuated by prayer, work and games evenings.
2022
Femmes symphoniques
2022
On ne naît pas féministe
Discovering your womanhood at 33 when you're a feminist is like exploring a new continent as an adventurer. It sparks a desire to embark on a journey, to understand the world around us, to search for ourselves, over and over again. To engage in the new sexual revolution and trace the roots of sexism and gender, questioning whether sexual education in France can prevent future generations from the patriarchy. But are we ready to deconstruct everything?
2020
Madwoman of God
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
2008
The Untold Story
The Untold Story of the Suffragists of Newfoundland (1999) is a docu-drama celebrating the thirty year struggle by the women of Newfoundland to win the right to vote.
1999
Ranch Album
Ranch Album depicts real cowboy life and rough country ranching in Northern Arizona season by season, revealing a sense of spirit and culture that have survived in the American west for a very long time.
1988
Freedom of Inês Etienne Romeu
August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.
1979
A Woman's Place
Two women discuss the roles and problems of women, education, and shopping on Fogo Island.
1967
Dia de Visita
The Starry Hours
AGNI, a visual artist in the twilight of his life, is rushing to complete his monumental work. Caught up in a frantic creative routine despite his declining health, he transforms every gesture, every moment into a final trace of his passage. Soon, he knows, he will join the stars.