Lii Michif Niiyanaan: We Are Métis is a documentary that addresses the invisibility of the Metis by shining a new light on the historical and contemporary experience of Métis people in Canada and providing a space for Métis people to share their diverse perspectives on what it means to be Métis today.
Madeline Ell, Arnold Asham, Albert Beck, Barbara Bruce, Maria Campbell, Jeannine Carrière, Jean Teillet
This short film tells the deeply personal and emotional journey of a father who made the life-altering decision to immigrate to Canada from Congo with his family. Narrated from his perspective, it dives into the challenges and obstacles he faced while fleeing his home country.
2025

Under Dorchester Square in Montreal lies the cemetery where 55,000 people were buried in the 19th century. The square is still at the heart of social conflicts in Quebec, 150 years later.
2025

A dialogue and home video about belonging, from young people living in modern colonial society.
2024

In 1968, Billy and Antoinette Edwards participated in a landmark documentary that would intimately observe their turbulent relationship. Over 50 years later, their son Bogart sat down to view and discuss the resulting film, A Married Couple.
2024

When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.
2024

2022

Five Bolivian indigenous women share one goal: climbing the highest mountain in America.
2020

The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
2019

Director Mirjam Leuze’s The Whale and The Raven illuminates the many issues that have drawn whale researchers, the Gitga’at First Nation, and the Government of British Columbia into a complex conflict. As the people in the Great Bear Rainforest struggle to protect their territory against the pressure and promise of the gas industry, caught in between are the countless beings that call this place home.
2019

Hot Docs will commemorate Canada's 150th anniversary of Confederation with the commissioning of In the Name of All Canadians, a compilation of six short documentaries inspired by Canada’s Charter of Rights and Freedoms. From Indigenous rights to multiculturalism to the controversial ‘notwithstanding clause,’ participating filmmakers have each selected a specific aspect of the Charter to explore, looking at how it resonates in the stories of their fellow Canadians.
2017

The filmed account of a large Canadian rock festival train tour boasting major acts. In the summer of 1970, a chartered train crossed Canada carrying some of the world's greatest rock bands. The Grateful Dead, Janis Joplin, The Band, Buddy Guy, and others lived (and partied) together for five days, stopping in major cities along the way to play live concerts. Their journey was filmed.
2003
Captures the highlights of the weekend in July of 2000 when 80 of the world's tall ships arrived in Halifax Harbour before the start of the race back across the Atlantic Ocean for a trans-Atlantic race.
2000

Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.
1995

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.
1991
A Circle-Vision 360 degree film capturing the sites, sounds, and people of Canada.
1987

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
1987

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.
1974
Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.
1973

This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.
1969

This short documentary is part of the Canada Carries On series of morale-boosting wartime propaganda films. In Home Front, the various WWII-era social contributions of women are highlighted. From medicine to industrial labour to hospitality, education and domesticity, the service these women provided to their country is lauded.
1940