Letter to the Young Intellectuals of Hong Kong is a 35mm film that utilised and appropriates footage from a documentary Henry Moore exhibition in Hong Kong, through over-dubbing, painting directly onto the film and other gestures, Mok turns the material into an incendiary address to Hong Kong's youth. Intercut with newly filmed material creates, the film also functions as a personal diary of Mok's political activity throughout the 1970s.
Mok Chiu-Yu, Li Ching

After waking up next to a lifeless body, Drika, a trans woman, revisits her past in search of her freedom. The experimental short film guides us through the thoughts and anguish of a woman who murdered a man.
2026

An philosophical film assembled from archival NASA footage exploring humanity’s search for meaning in the silence of space.
2026

2026

A film essay that approaches cinema as a water current, revisiting a body of previous essay films through the recurring image of water—rivers, seas, tides, and flows—to explore cinema as a fluid space of memory, movement, and transformation.
2026

2026

A visually impaired painter lets nature take shape on his canvas.
2025

Students walk into a photography studio to have their photograph taken, and put on a smile for the picture. But as soon as the camera flashes, it reveals their true nature...
2025

If a tree falls dead, does it cease to be alive? Like a deep breath in the forest, Siob explores the different textures of wood, from its life in nature to its rebirth as a musical instrument. And what if, in human hands, wood found its voice again?
2025

Pulse is the heart of music. A series of uniform beats that are audible or implied and repeat themselves. It is the relationship between the beats and their silences. The pulse is also the artist's unique expression—their heart. And Murilo is getting ready to perform his drum solo. He practices. Repeats. Tries to find his own pulse.
2024

An experimental fashion film exploring the euphoric beauty and horror within a hair salon.
2024

A memorable record in one summer time, time passes and pull the past and present together. This is an audio-visual diary from an alternate time.
2024

This film is a portrait of hypnotist and artist, Marcos Lutyens. It examines the idea of incorporating hypnotism into art through the filmmaker participating in a hypnotic induction.
2023
In this visual essay, author Alexandra Heller-Nicholas reflects on the recurring theme or perception in Dario Argento's filmography.
2017

Falling petals, flying snowflakes, fragments of memory…all are transient just like our dreams. Without thoughts, there need not be a concrete plot or captivating story to tell. Just as philosopher Zhuang Zi wrote--the fools think they are awake. Each scene and image exudes illusion and fantasy. The absence of plot and dialogues allows freedom in interpretation and clarity. The symphony of images becomes a poem for the audience to treasure. Cinema is dreamy in nature, allowing the true poetic spirit to thrive—when we rid ourselves with thoughts.
2017

A grieving choreographer tries to connect with her deceased partner through ritual dance, pushing her body beyond its natural limit until it breaks.
A documentary essay that, through exclusively images, music and editing, aims to show a different image of the manipulated Andalusia that had been present on movie screens for many decades.
1982

A short experimentation of a figure applying makeup to themselves in front of a mirror.

Preferring to shower with clothes on, they wait patiently for an evening with Winder, a living movie camera. Made as an exercise activity for Capilano University.
2023

Using hand-painted film, animation and an inventive soundtrack, INTRODUCTION TO OOBIELAND is an exploration of gateways: a repeated series of movements from the familiar and safe to the unknown and dangerous. Cycles are left incomplete. Chases are never consummated; the day ends with no promise of rebirth. In this way the film touches on our oldest instincts, leaving us saddened and scared by the knowledge of a world that will never know freedom through the completion of action; safety through the sanctification of place.
1969

It could be said that space is never just the absence of matter, but is somehow a step ahead of it. As such, it is the initial principle of what is emerging. The dancers and their movement are embedded in multiple layers of materiality such as texture, skin, air, floor, movement, sound in this poetic short dance film. Just as a membrane envelopes and defines the most basic structure of a cell, it also teaches us about the multi-directionality of our attention. The intelligence of boundaries/“membranes” as spaces of response, bring us a sense of containment, limits and at the same time, provide a doorway through which we turn towards the other.