Watch Lemon (1969) Online Free
Light begins to illuminate the small, nipple-like end of a lemon on the right edge of the frame and gradually spreads until the entire lemon is clearly visible. Then the light recedes across the frame.
More Like This
The Garage Stone at the Cinémathèque française
Building as a magic lantern preserving small stories of human interactions throught clear permutations in the editing room, a work that want to understand the beauty of noises and the meaning of departure, going far away.
2026
I Saw Mockingbirds laughing under the sun of Valence
A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.
2026
The Cemetery of Sainte-Colombe
A small exploration in the cemetery from the township of Sainte-Colombe throught a focus into the light, graveyards, flaggings and funerary plaques.
2025
Diam's : De la lumière à l'ombre
Diam's, the beloved icon of French rap, gave up everything at the height of her success. The young woman experienced a real descent into hell: depression, loneliness, and disillusionment in the face of suffocating fame. On the brink of disaster, she found refuge in religion. Rare archives, memorable music videos, and previously unseen testimonials reveal the violence of her success and her vital need to disappear in order to rebuild herself, choosing the shadows after the light.
2025
The Aqueduct of Seyssuel
Five fragments of observation and sensations during a journey with Gorneton's trail in Seyssuel, Isère. A work-in-progress with sounds, the interest of light and the solitude of a digital camera.
2025
The Ruins of Seyssuel's Castle
A study of ruins of a fortified castle placed in the village of Seyssuel during two days of shooting and understanding of the moving light
2025
Tree Limbs
A homogeneous structure of wind and light across tree branches in the South region of Isère
2025
Some Real Places
A short structural film that questions the reality we live in under capitalism through various images of Paris, Edinburgh, and Disneyland.
2025
Tracing Light
Light is a fascinating phenomenon. Without light, there would be no cinema, no film – and no life. So light is at the origin of everything, and yet it remains invisible to the eye until it hits matter. This moment is – quite literally – the starting point of Thomas Riedelsheimer’s latest work, for the springtime spectacle of rainbow shreds in the cinematographer and documentary filmmaker’s flat became the starting point of a search for the origin of the images we form of this world. For this quest he dived deep into two spheres that seem to follow different laws but always strive to fathom the magical: physics and art.
2025
Phantasia
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
2024
Become Successful and be the Master of the World
Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all to fall into place… he has to wait for the postman to start production documenting the process of being master of the world.
2023
Fogão a luz
Backed by an echoed horn music, the light passes through a magnifying glass. On the walls, they portrait pans being held on top of a stove.
2021
Samambaia
A computer generated fern follows a modular synthesizer soundtrack.
2021
Luminescence
A thinking about light and how it surrounds our lives.
2019
Luz de América
From the light that falls on the backyard of his house on the day of the equinox without shadow in Quito, and inspired by the "Theory of colors" of Goethe, the director takes us to several cities in America to reflect on the influence that the light has in the understanding of our surroundings.
2018
Niebla
Fog has a curious effect on cinema. On the one hand, it precludes the production of those images that seem artificial, on account of their sharpness. On the other, the mist gives each frame a mysteriously narrative quality. The joy of watching the sea and the beach under a blanket of mist allows eluding the world of the quotidian, to suspect the beauty of the uncertain and unstable
2017
Le côté obscur de l'ampoule
2017
La Mer
The passing time is displayed as a series of still frames, or a rapid sequence of moments, ever flowing like the waves that break on the shore, like a repeated chant with no beginning, middle or end.
1991
Hackney Marshes – November 4th 1977
An improvisation recorded over the course of one day, starting at dawn and finishing after dusk. The film was edited in camera and shot from one camera position in the middle of one of the 112 football pitches that cover Hackney Marsh, a location chosen because of the similarities between the surrounding buildings and objects (identical blocks of flats, goalposts etc.). By cutting between precisely matched framings of similar objects, illusions of movement were produced, disrupting representational readings of the landscape. Unforeseen events occurring in the vicinity were also recorded, determining to some extent the subsequent filming. Through selection of shots and changes in cutting pace and speed of camera movement, the film fluctuates between record and abstraction.
1977
The Conquest of Light
The film discusses the evolution and potential of using light waves, particularly coherent light, for communication. It highlights the development of lasers at Bell Telephone Laboratories, explaining how they produce a highly controlled and intense beam of light that could revolutionize communication. The film emphasizes the vast possibilities of lasers, including applications in telecommunications, surgery, and exploring the universe, suggesting that this technology represents a significant step in humanity's understanding and use of light.
1960