Watch La comadrita (1978) Online Free

Killer Instinct

A woman who has just committed murder has to pack her bags and permanently flee her apartment. However, a slight wrinkle appears in her plan...

2024

Merry Men 3: Nemesis

The film tells the story of four Abuja’s most eligible and notorious bachelors. Their lives are wrapped in flamboyancy with their network and thriving businesses, fast cars, luxury homes, and the women in their lives in exc

2023

What if…

After getting a flat tyre in the middle of nowhere, Diana is approached by an unknown man who offers to help her. Things seem fine, but the dynamic between them shifts from one extreme to another.

2023

My Quarantine Bear

Weijia Ma was working on an animation film in Strasbourg when COVID descends on France. She very quickly fled to Lyon before returning to Shanghai.

2021

Gay Jesus

Once upon a time in a cheap Jerusalem hotel room, Jesus and Judas are spending their time away from Nazareth between hot, sweaty, carnal love and preparing sermons for Jesus' growing fanbase. Enter Mary Magdalene, jealousy, Satan, and the Romans, and the once-perfect love affair between Judas and Jesus becomes a hellish ring of fire, leading Judas to betray his beloved Christ and the Romans to punish everyone for trying to turn everyone gay.

2015

Un banco en el parque

1999

The Queen's Cantonese

In three easy lessons, you’ll learn many Cantonese phrases that are useful in a gay bar, a cruising park, and a bathhouse. These three self-contained episodes can be viewed as a single video or as a recurring serial in a program of shorts.

1998

Go Dyke! Go!

Go Dyke! Go! is a humorous commentary on lesbian relationships in the context of children’s literature. Taking off from the popular children’s book Go Dog! Go! (by P.D. Eastman), this animation paints a sarcastic, pointed and comic picture of queer life in the 90s. Familiar pop imagery and everyday signifiers are a point of entry for a discussion of the patterns of serial monogamy and lesbian representation. Go Dyke! Go! plays with the genre of animation and poses a game of semiotics to deconstruct the tropes of children's books and heterosexism.

1998

BBQ Muslims

In this short comedy, two Canadian Muslim brothers are sleeping in their home when the barbecue in the backyard blows up. They are immediately suspected of being dangerous Middle Eastern terrorists and their neighbourhood turns against them. This film was inspired by events following the Oklahoma City bombing.

1995

Queer Across Canada

Queer in Vancouver, lesbian in Calgary, gay in Whitehorse and dyke in… Is identity attached to location and community? Maureen Bradley, on the road with CBC’s Road Movies saw her identity being manipulated by the mainstream media.

1993

Whoever Comes is a Guest

Since the establishment of the bamboo weaving cooperative, the appearance of Zhulin Village has changed significantly. Visitors seeking to learn, inspectors, interviewers, and tourists placing orders have been coming in an endless stream. They eat all day and all month long, leading to frequent quarrels, fights, and cases of alcohol poisoning, causing the smart and capable cafeteria manager, Xiao Wangfa, to be driven to tears and indescribable suffering. Once, when Vice Secretary Guo of the Provincial Committee came to the village for an inspection, the lunch prepared for him was eaten by the leaders from the county. Xiao Wangfa had no choice but to serve simple home-cooked meals like mung bean porridge, steamed buns, and peanuts, anxiously preparing for punishment. Unexpectedly, Vice Secretary Guo was very pleased with the meal, and the villagers of Zhulin saw hope from this incident.

1990

A Narrow Lane Celebrity

A brilliant, blackly comic script and the subtle comic genius of star Zhu Xu mark this as one of the best tragi-comedies of post-liberation Chinese cinema.

1985

Blockheads

Mariette Hartley hosts performances by top ventriloquists.

1982

¡El que no corre... vuela!

After mistakenly going to jail, Maria makes friends with a woman whose kids live in the streets and Maria gets the idea to help them.

1982

La madrecita

1974

Tonta tonta, pero no tanto

María Nicolasa Cruz, an illiterate young Mazahua woman, travels to Mexico City in search of a better life, only to be swept into a chain of misunderstandings and conspiracies that make her an unlikely suspect in thefts and murders.

1972

Chut !

A small saver discovers the scam that threatens all subscribers to the "Caution foncière". He embarks on an incredible adventure to recover the funds paid in by his friends, and succeeds in exposing the scandal.

1972

Love Without Words

1. A taxi driver barely finishes his coffee before a young woman asks for a ride to impress her boyfriend, only to reveal her beau’s ramshackle “plan” beside his sleek car. He then smooths over a quarreling couple, helps a frustrated engineer solve his machine’s fault in a dream, and delivers a masked father’s gifts for his estranged daughter. 2. Mr. Kalina, an airport employee, fulfills a flight attendant’s plea by taking in an orphaned African girl for the night. He ensures her safe transfer to a children’s home the next day. 3. Zaza, a coquettish milliner’s assistant, juggles the attentions of a shy tailor and her stern salon manager. After a humiliating fall on the runway, the tailor comforts her and stages a private reprise, revealing where her heart truly belongs.

1962

Daily Round

“Catching up with gossip, inspecting new ducklings, clambering over gates, walking across meadows - the life of a postman appears idyllic, but this Devon postie has some startling ideas about improving efficiency... The inimitable Richard Massingham, a doctor turned actor and filmmaker, co-directed this film, and appears in it as the testy Mr Proctor. This film was produced by John Grierson, often hailed as the father of British documentary. It was made for the General Post Office (GPO) Film Unit, one of the most remarkable creative institutions that Britain has produced. It provided a springboard for many of the best-known and critically acclaimed figures in the British Documentary Movement.” - BFI

1937