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Three episodes of the unfinished series commissioned by the now-defunct Corporation for Public Broadcasting, examining how and why people fail to make meaningful connections in the early 21st century. Hosted by amateur filmmaker Kurtis Matthew Russell who was given a budget of 5 dollars.
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Jay worked as a security guard at the door of Kanaal40, a bar located in the heart of Amsterdam's Warmoestraat. At the threshold of the club, Jay found a sense of security: a space to express themselves and explore who they want to be. Even after the bar closed its doors, the experience continued to shape their life in deeply personal ways.
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Terrifier 3
Five years after surviving Art the Clown's Halloween massacre, Sienna and Jonathan are still struggling to rebuild their shattered lives. As the holiday season approaches, they try to embrace the Christmas spirit and leave the horrors of the past behind. But just when they think they're safe, Art returns, determined to turn their holiday cheer into a new nightmare. The festive season quickly unravels as Art unleashes his twisted brand of terror, proving that no holiday is safe.
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The Lesbian Bar Project: FLINTA
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Schumann's Bar Talks
Charles Schumann is a bartender par excellence—known the world over for his iconic Munich-based Schumann's Bar— and best-selling author of a cocktail guide the New York Times called "the drink-mixer's bible." Here Schumann is your tour guide through some of the finest bars the world has to offer, traveling from New York to Tokyo with numerous stops in between to explore the fascinating history and rich culture behind these monuments to social imbibing, a pursuit all Milwaukeeans agree is in need of extensive documentary study.
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The Drinking Life
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The day he decided to leave
My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.
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IOT : The Most Problematic Woman Behind The Bar
A documentary about the life of a female inmate named Ria Megawati, often called IOT. Once known as the most problematic prisoner in Bandung Women’s Prison, she has since transformed into a better version of herself by immersing in artistic practices such as painting, batik-making, and songwriting. Art ultimately becomes her way out of a dark past, and a vessel for expressing emotions long kept inside.
Zodiac
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30 years in the making, the film Jan Terri: No Rules tells the story of an irrepressible, and often delightfully perplexing personality. As a child, Jan would dance and sing for anyone who would listen. As a teenager, she began writing and performing her own songs. After earning her BA in Arts and Entertainment Management, she continued making music while working full-time as a limo driver. The income from that job allowed her to hire a studio as well as a videographer to help her make her unorthodox DIY music videos and distributing them on VHS tape. Without her knowledge, her videos made their way to the nascent YouTube. The fact that her most popular YouTube video was given the title “Worst Music Video Ever” didn’t dampen her spirit. Her fanbase grew to include such luminaries as Marilyn Manson and Cynthia Plaster Caster. Over the years, Jan’s independent spirit attracted many collaborators who’ve helped bring her vision to life.
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The Groomsmen
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
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The Night Out
Kevin is such a loser! It's a Friday night and the only thing in his life is watching a dumb werewolf movie. Until he meets the girl of his dreams. But she's no ordinary gal, she's got his heart.... and a whole lot of fur.
When a Woman Ascends the Stairs
Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.
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