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The Oceans Are the Real Continents
Having Cuba as a background, decadent and in crisis, in a black-and-white lacerated by the Caraibic swinging rain, Alex and Edith, a couple in their 30s, live their love story made of small daily gestures, stories from the past, nostalgia, and a deep intimacy.
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Life Is One of the Simplest
A collage of five people from different cultures living in Switzerland. They reflect on life by looking at their origins. The liveliness and diversity of life can be divined.
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White Earth
An oil boom has drawn thousands to America’s Northern Plains in search of work. Against the backdrop of a cruel North Dakota winter, the stories of three children and an immigrant mother intertwine among themes of innocence, home, and the American Dream.
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Making-of DVD for a film of tokusatsu series "Kamen Rider Gaim" starting to be shown at theaters from July 2014. Includes a documentary of the shooting scenery and interviews with staff and cast. Was included as a Bonus disc with Blu-ray version of the film. Complete recording of the filming site of the movie that you can't miss!/Full recording of the filming site of "Theatrical version Kamen Rider Gaim Soccer Great Decisive Battle! Golden Fruit Scramble!" released in July 2014! and interviews with guest cast members such as Masafumi Nakayama and Ainosuke Kataoka!! / Release the making video that will definitely make the movie more interesting than anywhere else!
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Font Men
You've never heard of Jonathan Hoefler or Tobias Frere-Jones but you've seen their work. They run the most successful and respected type design studio in the world, making fonts used by the Wall Street Journal to the President of the United States.
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Stone
Kevin Jerome Everson's single-take film of a street hustler's sleight-of-hand game takes its place in a rowdy crowd of onlookers. The camera stays focused on the man's fleet fingers while the audio is glued to his gift of gab: "Keep your eyes on that little red dot if you want to win cold cash money on the spot." Every bit the performer, the hustler makes us wonder whether the film itself might be a kind of shell game (with the seemingly raw immediacy of the shot concealing its artistic intentionality). - Max Goldberg
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The Wooden Calf
In a 2014 artist statement, Kevin Jerome Everson wrote, "The main thing I like doing is filming people of African descent, black folks, who are really good at what they do... engaged in something that is an internal language." Indeed, blink and you might miss this cowboy's lightning-quick way with a lasso. He shows his stuff in an impressionistic montage, flashing a winning grin. - Max Goldberg
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Second Place
One of several Kevin Jerome Everson pieces regarding African-American rodeo riders, SECOND PLACE brings us inside the big show. The jerkily pixilated view of a bucking bull offers an aesthetic equivalent of the cowboy's wild ride while the film's silence lends an unexpected repose to the contest. Whether anticipating a bull's blasting out of the gate or watching an old hand stretch out his back, Everson's camera is ever-attentive to the action at the edge of the frame. - Max Goldberg
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The Mayberry Practice Calf
Radiating the radical simplicity of a Lumière actuality, THE MAYBERRY PRACTICE CALF shows an African-American cowboy roping a hunk of tire again and again. "Calf roping is a discipline," Kevin Jerome Everson told an interviewer. "People practice it, they know the language of it and they know how to do it." Everson's camera evinces a comparable degree of discipline, with a single long take functioning as a montage through the serial repetition of the cowboy's action. We may wonder if we're watching a loop but gradually our eyes are drawn to small variations. Practice makes perfect. - Max Goldberg
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Manuel is only 11 years old, but he already works on a sugar cane plantation located in northeastern Brazil. His father and older brother are also employed here. Manuel works on a huge roller that is used to press out the sugar cane. His friends transport the squeezed sugar cane away, dry the remains on the farm or help transport the cut cane to the mill. The film shows Manuel's daily work and describes the different steps of sugar production on the plantation. Manuel hopes that his younger siblings will soon be able to help, because although Manuel contributes to the family income, it is often not enough to feed the family of nine.
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Biografía de un carnaval
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Luanda ya no es de San Pablo
Portrait of the Angolan people.
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Toronto Jazz
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Timber Front
This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.
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