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Der Konzertdealer
Kraftwerk, Björk, Rammstein or Robbie Williams on tour are not just concerts, but pop operas, the most spectacular stage events of our time. Tens of thousands make the pilgrimage to stadiums and halls to be there. But nobody knows the man in the background. Scumeck Sabottka has been a concert promoter for over 30 years. Constantly traveling, constantly negotiating, always on the lookout for the next big thing. An ex-punk from the Ruhr area who started out as a bus driver for Einstürzende Neubauten, worked his way up, came close to bankruptcy twice and then struck a deal with legendary promoters Fritz Rau and Marcel Avram.
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The Kali of Emergency
During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.
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Io sono nata viaggiando
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Edeltraut Hertel - a midwife caught between two worlds. She has been working as a midwife in a small village near Chemnitz for almost 20 years, supporting expectant mothers before, during and after the birth of their offspring. However, working as a midwife brings with it social problems such as a decline in birth rates and migration from the provinces. Competition for babies between birthing centers has become fierce, particularly in financial terms. Obstetrics in Tanzania, Africa, Edeltraud's second place of work, is completely different. Here, the midwife not only delivers babies, she also trains successors, carries out educational and development work and struggles with the country's cultural and social problems.
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Kate Bush: On Tour
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The Pan-african Festival in Algiers
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Congolaise
The expedition that shot this film was sponsored by the French Government and the Museum of Man, for the purpose of making a lasting record of the native tribes in French Equatorial Africa.
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