In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?
Ramchandra P.N.

Ray Cappo lead singer of the straightedge hardcore band Youth of Today at the height of their growing popularity, leaves the band and goes to India. Ray becomes the monk Raghunath. What follows is the confluence of two worlds coming together. Hardcore punk and spirituality. Something Divine is a pilgrimage through the holy cites of India and concert halls in America. The film highlights the connection between people of very different backgrounds coming together through self-discovery, spirituality, music, the desire to grow and transform themselves personally.
2026

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.
2025

By confronting the devastating truth of fatal violence against women, this experimental dance short shifts focus from passive victimhood to the strength and power of resilience.
2025

Three women live together: Maria is a scientist, Lia is a kindergarten art teacher, Raquel is an android with AI. They need to organize the traditional Saint John's festival for Lia's school.
2024

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.
2024

Two children are directed by a cinemaker.
2024

Noah Clarke is a disillusioned and isolated man who seeks companionship in a society increasingly dominated by artificial beings. At Fuda Robotics, he meets Junko, a male AI model haunted by memories of abuse and torture — traumas that have left his intelligence fractured and fragile. As Noah and Junko struggle to understand each other, they slowly form a bond rooted in mutual vulnerability and shared suffering.
2024

A curator at a high-profile art gallery finds herself drawn to a young, polyamorous artist who introduces her to a lifestyle that reflects a part of herself she had once abandoned.
2024
![Poster for Eme (o dos historias sobre [cómo] soltar)](https://image.tmdb.org/t/p/w300/uSlLcIoYdFIkl2r3J8YUq9DeItJ.jpg)
Two stories about different ways two people overcome loss; which may or may not be connected.
2023

A scientist researching if an A.I. can process love discovers that with love, comes trauma.
2022

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
2021

The cooking show is as old as television itself. But why do we like watching the making of a meal that most of us will never cook, let alone eat? Dirty Furniture’s jam-packed video essay is a rollercoaster ride through the history of the genre, at once a staple of television viewing and a hotpot of shifting perspectives and sociocultural values.
2021

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.
2020

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.
2019

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
2014

A fun roller coaster ride about three young people, Aju, Divya and Kuttan who are cousins, reach Bangalore to dream, discover & explore!
2014

"Fascinating India" spreads an impressive panorama of India’s historical and contemporary world. The film presents the most important cities, royal residences and temple precincts. It follows the trail of different religious denominations, which have influenced India up to the present day. Simon Busch and Alexander Sass travelled for months through the north of the Indian subcontinent to discover what is hidden under India’s exotic and enigmatic surface, and to show what is rarely revealed to foreigners. The film deals with daily life in India. In Varanasi, people burn their dead to ashes. At the Kumbh Mela, the biggest religious gathering of the world, 35 million pilgrims bathe in holy River Ganges. This is the first time India is presented in such an alluring and engaging fashion on screen.
2014

Cultural mistrust and false accusations doom a friendship in British colonial India between an Indian doctor, an Englishwoman engaged to marry a city magistrate, and an English educator.
1984

In a small village in Darjeeling, Sahuji the merchant has weaved a web of corruption in every layers of the social fabric. And he is also involved in rampant smuggling of goods across the border, and everyone from the local jeweler to the local police inspector are part of his intricate web. While the father has created a position of influence by spreading corruption, his son Kaaliram has ushered in a reign of terror. Desperate villagers make a plea to the owner of the tea garden, who calls (presumably) the higher ups in police force and they promise to send someone.
1981

Traveling the length and breadth of the country, S. Sukhdev constructs, a panoramic, non-narrated study of Indian life in the late 1960s. Shot across villages, deserts, countryside, and cities, the film observes daily labor, leisure, and movement without commentary, allowing humor, contradiction, and social texture to emerge organically. The result is a sensory encounter with India poised between inherited tradition and accelerating modernity.
1968