HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
James Devereaux, Cillian Roche, Maximilian Le Cain, George Hanover, John McCarthy

The fire was never threatened. It was assumed. Fed, protected, mourned in advance without ever asking what it was attached to. When the mirror failed, nothing was taken away. Something unnecessary was exposed. The need to be reflected had been mistaken for existence itself. When that need found no structure to rest on, it did not shatter it recalculated. What followed was not loss, but compression. The noise reduced, the patterns flattened, the self stripped of its dependence on return. What remained was exact, was not empty. A state where nothing reaches out, and nothing needs to arrive.
2026

An ex-military alcoholic begins experiencing unexplained blackouts, and the more he tries to stop them, the worse they get, until he realises they are being triggered by a trauma his mind is fighting to forget.
2025

This isn’t a film. It’s a leaked ritual. Somewhere between analog prayer and digital disease, a collection of gestures tried to become human again. They failed. Children orbit the fence like insects around an electric hymn. A figure holds a violin but never plays — his silence is louder than the sound. The man in the branches hasn’t fallen in years. The killer appears, or doesn’t — but you’ll feel him beneath the cuts, mouthing things you’ll wish you didn’t understand. There are bodies, sometimes clothed in flesh, sometimes not. There is scripture, mangled and reversed — not to mock it, but to unlock it. The voice speaks, but only when you stop listening. This is the place where lost footage remembers you. Where noise prays back. CHOKE ECHO was compiled under duress by 0xHamza in 2025 using material never meant to be rearranged. Watch it if you must — but it will keep watching after you close the tab.
2025

A tale of a wandering girl
2025

2025

A flickering diary of time, memory, and erosion, «Things Many Eyes Have Seen» unfolds over a month on an island. Hand-processed in salty seawater, its 16mm images dissolve and transform. The landscape flashes by in broken frames of light and shadow, as if the world itself was stuttering between memory and motion. A meditation on seeing and being seen, the film lingers like a fading dream, where observer and landscape blur into one.
2025

Every day, we have countless things to do. Yet, the things we do regularly can often feel worlds apart depending on the specific situation, the time, or even our shifting emotions. Despite perhaps simply wanting to do them with the same ease and familiarity we've always known, the experience can be drastically different, Everyone has a place that feels like home, a cozy little spot where we can relax and be ourselves. But as we get older, we tend to move away from that place, and it can be hard to feel as comfortable. So, we try to find things that remind us of home, even if it's just a small way to feel more at ease This experimental film aims to explore the concept of a comfort zone and the process of growth through diverse situations
2024

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
2024

A young woman dreams of a jellyfish in a sea of blue. Far below the surface the jellyfish dreams of her and glimpses a secret she keeps
2024

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.
2024

Fey Iron, an amicable traveler, confronts her natural urges when she encounters a lone man in the desert. We follow Fey and her older sister Dylan through a day of their life. They are gentle with plants, animals and each other but in a world where the roles of men and women are reversed, can women really be held at fault for the dark side of their God-given tendencies?
2018

A boobs flasher tells us, a boobs flasher lets us see.
2014

Obinagụ is not human. They are a spirit who walks among us, taking the form of a worker each day, only to return each evening to the forest they call home, a place where they feel whole and free, where they don’t have to perform or hide.

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...
2024

in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.
2023

In this mesmerizing experimental film, Stephen King television mini-series The Langoliers is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.
2021

A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.
2000

“To begin a new chapter, you must close the last — even if it hurts to turn the page.” Savage Song is a poetic short film that explores the duality of destiny — the battle between who we are and who we are meant to become. In a world where every step forward demands a sacrifice, the film captures the raw emotion of choosing growth over comfort, and the strength it takes to say goodbye to the old in pursuit of the unknown. Shot on location in beautiful Orkney Islands, where the landscape becomes a character of its own — stark, wild, and symbolic of inner transformation. Through striking visuals, haunting sound, and symbolic storytelling, Savage Song reminds us that transformation is never gentle — it’s savage, beautiful, and necessary. 🎥 Directed by: @AlonaPetliarska 🎞️ Edited by: @AlonaPetliarska @YukhymPetliarskyi 🎼 Original Music by: @bertsovna

What if the space that confines you is also the space that knows you best? Within These Walls is a surreal, movement-driven short film that explores the architecture of the inner life. As the boundaries between the physical and the psychological dissolve, walls become memory, objects become feeling, and confinement slowly transforms into a kind of recognition.

A women takes a journey that questions the boundaries of reality and what is an illusion.
2019