A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.

A portrait of three female skaters in Switzerland.
2023

2021

Modern Amazons are fierce heroines. They are ready to fight for what is important to them. Without explaining, without compromising, always persisting. They fight for victory in the ring for acceptance, and too, for fellow sufferers and humanity.
2021

A collage of five people from different cultures living in Switzerland. They reflect on life by looking at their origins. The liveliness and diversity of life can be divined.
2019

Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.
2019

A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
2017

Documentary about thrift shops in Berne, Switzerland and how they want people to recycle and re-use instead of throw away.
2017
2017

Klaus Rozsa, a well-known and politically active photographer, lived in Zurich for decades as a stateless individual. All of his applications for naturalisation were refused on political grounds. In 1956 he fled Hungary, growing up in Switzerland with a Jewish father who had survived Auschwitz and Dachau. Due to the extreme proximity of such a fate, the camera led him repeatedly to places where injustice was done. It was this particular quality of his camerawork that proved fateful for him.
2016

The film reconstructs the memories of a divorced family with empathy yet merciless precision. An intimate family story emerges during the investigation into the reasons for the separation. Hinging on the subtle and touching testimonies of the family members, the film delves into complex interrelationships. Actors bring the family's memories alive as if they were their own. The result is a chronicle of a family drama, which the real protagonists complement and comment on – a reflection on the mechanisms and dynamics shaping and directing their family life over the years.
2015

Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
2013

A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.
2013

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.
2011

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
2010

Award-winning director Langjahr returns to his beloved Alps to document a group of people continuing the legacy of their forefathers. Every year on Swiss National day, August 1, the Wildheuer climb up the steep mountain of the «Hinteren Heubrig», fitted out with scythes and wearing wooden shoes with spikes, just as their ancestors did before them. They are part of a generation who have lived with the challenges of nature and survived it. In his film, Langjahr's poetic realism gives an insight into these people's experience of the simple life, the very foundation of human existence.
2006

2006

Anne Marie Nakagawa's documentary examines what it means to have a background of mixed ancestries that cannot be easily categorized. By focusing on 7 Canadians who have one parent from a European background and one of a visible minority, she attempts to get at the root of what it means to be multi-ethnic in a world that wants each person to fit into a single category.
2005

“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.
2004

A three-part documentary about the long road to women's suffrage in Switzerland.
1994

The story of a group of Cubans who arrived in Miami during the Mariel Boatlift and were housed in an improvised camp in the heart of the city. Everyone lived together —men and women, homosexuals and heterosexuals, separated only by cloth curtains that hung from ropes suspended between the beds, like floating walls.
1981