Two women fought with uncompromising conviction to change the world in the late 1960s - Inge Viett as a former member of the RAF in Germany, Maria Barhoum as former member of the FAU in Uruguay. In 1999, they met in Cuba, a country that seemed to mirror many of their questions, hopes and fears. The film looks at their real lives and different roads to exile; two utopian visions sought under very different conditions on separate continents. It is a double portrait of two extraordinary women that succeeds in avoiding the twin pitfalls of condemnation and glorification.
María Barhoum, Inge Viett

A critique of liquid love through sarcasm and crude humor. With the desire that the viewer empathize with the protagonists and reflect on the ephemerality of sexual-affective relationships in modern society. At the end of the short film, the transformation of people into mere consumer goods will be clear, which, once they have been used, are discarded
2022

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.
2022

Los Años is a meditation about time, memory and mortality through our representation in images and our lives' rituals. This short highlights our abstract way of understanding time and collective experiences.
2018

A film about teenagers with growing pains, who discover their own voice and talent through riding and grooming toy horses.
2017

When her mother remarries and her newly blended family moves to Canada, a 9-year-old Tunisia girl's life takes a profound turn as she struggles to find her place and maintain her Muslim identity in a new land.
2016

A small group of girls in one of the most remote forests left on earth attend a radical high school where they learn to protect the threatened forest and forge a better future for themselves. Set in the untamed wilds of the Mbaracayu Reserve in rural Paraguay, this intimate verite documentary offers a rare glimpse of a disappearing world where timid girls grow into brave young women even as they are transformed by their unlikely friendships with one another.
2016

Robert De Niro, Sr., was a celebrated painter obscured by the pop-art movement. His life and career are chronicled in the artist's own words by his contemporaries and, movingly, by his son, the actor Robert De Niro.
2014

Bim Bam Boom Las Luchas Morenas, is about three Mexican sisters, professional wrestlers, whose lives, lived according to their own ideas, are a struggle but also a lot fun.
2014
Why would two New York-based filmmakers dedicate five years of their lives to following three white, Jesus-loving, spandex-clad men from the Bible Belt, particularly when the world of documentary filmmaking has generated its fair share of films concerning sensationalistic religious expression and contact sports in recent years? Because it's not about wrestling, and it's not about Jesus. Against a bizarre and entertaining backdrop, and through a motley cast of characters, we are reminded of what connects us all, lest we forget what it means to be human.
2013

A short companion to Leviathan, set inside the fishing vessel.
2013

Documentary about a lodging house, owned by Rosa Carbajal, at the corner of Shakespare and Víctor Hugo streets.
2009

Documents the true story of the final weeks of rehearsal for the Young at Heart Chorus in Northampton, MA, and many of whom must overcome health adversities to participate. Their music goes against the stereotype of their age group. Although they have toured Europe and sang for royalty, this account focuses on preparing new songs for a concert in their hometown.
2008

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
2005

Steyerl’s film traces the impact of an influx of transnational companies on the city dwellers of Berlin in post-reunification Germany. The effect of the changing economy and politics on the city and its inhabitants is echoed through their physical relocation to its outer edges. In 1990, squatters proclaim a socialist republic on the death strip. Eight years later, the new headquarters of Mercedes Benz are built in the same location. The film makes use of slow super-impositions to uncover a journey across changing architectural and cultural boundaries. "The Empty Centre" tries to give a voice and a history to those who continue to be marginalised by the simultaneous dismantling and reconstruction of the borders which they are trying to cross.
1998
Women who are HIV-positive discuss how they "came out" about their infection and became politically active.
1991

A documentary film about AIDS and one unconventional woman's efforts to educate her small, Southern community. DiAna DiAna is a local hairdresser who transformed her beauty parlor into a center for AIDS and safe sex information.
1990

Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
1988

A collection of film clips from horror movies and interviews with the actors and directors who made them.
1983

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
1981

Documentary about the history of the bateyes, informal settlements surrounding the mills to house workers. Throughout the film, Sara Gómez recovers the political and cultural relevance of black migrants.
1971