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Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.
Damiano David

Some hard rock bands just bang heads. Poison blows minds. This new home video captures the bad boys doin' it backstage, on tour, up close and in your face. Included here are five hot clips from the multi-platinum LP, "Flesh & Blood." Now you can see the original, uncut and controversial "(Flesh & Blood) Sacrifice" plus "Ride The Wind" in a special unedited version. And there's more! Behind-the-scenes footage reveals the guys cutting loose and raising hell in typical Poison-ous style as they invade America, Europe and Japan. This is "Flesh, Blood & Videotape"....and motorcycles, guns, ladies, cops, hotel thrashing, sex and (of course) rock and roll. It's easy to swallow, 100% undiluted POISON.
Nantali Indongo, the rapper of the group Nomadic Massive, has long refrained from using the word Bitch in the lyrics of the songs she sings. As an Afro-descendant and mother, she considers that this word’s purpose has always been to dehumanize the Black woman. However, at the junction of the Black Lives Matter and #MeToo movements, she decided for the f irst time to use the b-word as a cry from the heart in her song Time . Aware of the complexity posed by the trivialization of this word, she embarked on a “word movie” across the Americas to understand the origins of the word and its many connotations over time. Her journey allowed her to give a voice larger- than-life to Black women, so that they could themselves express their opinions on the word bitch.

Tom Volf invites you to delve into the fascinating world of Véronique Sanson, a living legend of French chanson. After several years of research and immersion, he is unveiling an intimate and sincere portrait of the artist in a film event. The fruit of his encounter with the singer, this project highlights the raw emotion and beauty of her career.
2025

Greek Sarakatsani community members, a former group of nomadic animal breeders, share personal experiences and discuss the concept of identity in today's world. A tribute to collective memory through an experiential journey that sets out from the past, progresses into the present, and contemplates the future.
2024

Wonderwall Guy brings his guitar to a party to impress girls and just won’t leave. A group of the fed up partygoers band together to try and get him out of there, but something unexpected happens…
2024

A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.
2023

IT CAME FROM AQUARIUS RECORDS tells the story about the San Francisco based independent record store, Aquarius Records. Having closed in 2016 after 47 years, this small apartment-sized store championed local, underground, independent, and challenging music to the masses - most memorably with their infamous bi-weekly, college essay-length, new-release lists. Six years in the making, interviewing collectors, musicians, and store owners, the film has a very personal angle, with lots of behind-the-scenes footage (and drama) that shows both the joy and excruciating stress that comes with running — and closing — a store like this, helped in no part by the changing city around them.
2022

A bracingly honest new documentary sourced from hundreds of hours of unseen archive and all-new conversations captured during the pandemic, the film features open and frank insights from each band member plus collaborators inextricably linked to the group’s orchestral adventures. Alongside dramatic re-interpretations of their hit songs, ReOrchestrated charts the very beginning of the band’s foundations all the way through the highs and lows of their three albums to date, via landmark, full orchestra appearances at Royal Albert Hall, Elbphilharmonie in Hamburg and The London Palladium, not to mention the inevitable tensions encountered en route.
2021

Harley Russell, 73, lives only on the tips he receives at his wacky store at Erick (Oklahoma) with his Mediocre Music Maker show. Ángel Delgadillo, 91, the last barber of Seligman (Arizona), continues shaving drivers who go out of the interstate highway to visit his town. Lowell Davis, more than 80, is the first inhabitant of Red Oak II (Missouri), a ghost town which he rebuilt through the restoration of its old houses. Three stories of perseverance and overcoming in what was once the road that connected the United States from East to West. Three survivors that managed to save the most well-known route in America.
2019

2019

The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
2019

When asked a question on politics, late Palestinian poet Mahmoud Darwish once answered: “I write about love to expose the conditions that don’t allow me to write about love.” In TWO TRAVELERS TO A RIVER Palestinian actress Manal Khader recites such a poem by Mahmoud Darwish: a concise reflection on how things could have been.
2018

On 21.12.2012 in the Fox Theater in Pomona, California, a Suicide Silence Memorial-concert for Mitch Lucker took place. The motto of the concert was "Ending is the beginning". A range of guest-musicians, friends and fans of the Deathcore-legend Suicide Silence concelebrated with the band in loving memory of the late singer. Mitch Lucker died on 01.11.2012 after a tragic motorbike crash. He left his wife and their daughter Kenadee behind.
2014

An isolated village in the Lithuanian countryside. Seated in her house, an elderly woman recites an old folk story. Then she climbs up the tall ladder that takes her to the rooftop of the church.
1995

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.
1980

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
1968

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.
1959

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).
1959

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
1957

Cole Porter times three! Al Kemp and His Orchestra swing "Begin the Beguine," Emil Coleman and His Orchestra sell us "Just One of Those Things," and Skinnay Ennis and His Orchestra love some "(Let's Do It) Let's Fall in Love."
1943