While Virtual Reality promises a whole world, in fact it offers only a view within the strictly defined boundaries of a sphere. Is this also the case for the strictly defined boundaries of the European Union? When crossing the borders of the European Union, one is not allowed to film. This also applies to Google and their Street View cars, resulting in gaps in the available Street View coverage within the area of EU border control posts. The Euro dome is increasingly made more visible and intimidating from the outside: high fences with barbed wire stand tall along the border and armed border patrols pass by on a regular basis. While from inside the dome, one can only see a virtual glimpse of its borders. A faint reflection or a delayed feedback version.
Thibault Gossuin

2025, the year of the intensification of a total and deadly war, which nothing and no one seems able to stop, targeting military personnel and civilians, and which has now claimed more than 1.5 million lives or left that many wounded on both sides. But 2025 is also the year of our break with Donald Trump's America, an America with violent and unpredictable reactions, which risks abandoning the old continent, its most loyal ally for 80 years, for Vladimir Putin. How can we stop this bloodshed on our doorstep? How can we contain the master of the Kremlin, a dictator whose predatory logic threatens to spread beyond Ukraine? Sabotage, ghost ships, interference operations, and drone flights: he is already waging a hybrid war against the rest of Europe. Is armed conflict between Europe and Russia now a possibility?
2026

Over half a century of public service, Valéry Giscard d'Estaing embodied the dream of a united and strong Europe. From the youthful enthusiasm of the 1950s to the disillusionment of the 2005 referendum, his career chronicles an ideal confronted with the realities of power, national resistance, and populist winds. He tirelessly attempted to realize his youthful dream: a United States of Europe.
2025

Women's work, gender equality, prison conditions, AIDS patients, humanization of hospitals, parental authority, equal pay... Simone Veil fought many battles that are little known today. As we prepare to celebrate the 50th anniversary of the law on abortion, enacted on January 17, 1975, the time has come to tell her story in a new way through this portrait of a woman ahead of her time: in the light of her other struggles.
2025

"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.
2024

2023

Artist and filmmaker Julian Rosefeldt creates elaborately staged films that investigate the power of language and the conventions of cinema as an allegory for societal and individual behaviors. With the multi-channel film installation Euphoria he continues this examination by exploring capitalism, colonialism, and the influential effects of unlimited economic growth in society.
2022

They call each other Emmanuel and Vladimir - but despite the informal tone, a fateful negotiation is taking place. During France's presidency of the EU, President Macron takes on the task of negotiating with President Putin in an attempt to prevent an invasion of Ukraine. For the first time, we get to follow the diplomatic game behind the scenes and hear parts of their phone conversations.
2022

2022

The decision to move to Holland doesn't sound like a wise idea. Why move to a country that could be flooded at any moment? For the last 25 years, the political climate has shifted. The public debate on migration has become harsher, more heated, and polarized. What would have been considered right-wing xenophobia back then, is now considered mainstream. Populists simplify complex realities into good and evil, victims and perpetrators: ‘us’ versus ‘them’. Their rhetoric often consists of dehumanizing words and metaphors. One of these is ‘water’. In reality, water is not an immediate threat to the average Dutch person; but it is a huge threat to the thousands trying to reach the Netherlands. People trying to survive the Mediterranean Sea in rubber boats. Trying to survive winter on the Aegean coast in primitive tents. To them, water really is deadly.
2021

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.
2020

In Antarctica, an artist prepares his installation simultaneously with a group of scientists conducting research. An essay on the persistence and loneliness of the creative act; like the flight of a butterfly in chaos theory or a silent prayer. A sensory experience. A visual poem made of ice, snow and wind.
2016

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.
2016

‘The Great Wall has been completed at its most southerly point.’ So begins Kafka’s short story ‘At the Building of the Great Wall of China’, and so, at Europe’s heavily militarised south-eastern frontier, begins this film. In the shadow of its own narratives of freedom, Europe has been quietly building its own great wall. Like its famous Chinese precursor, this wall has been piecemeal in construction, diverse in form and dubious in utility. Gradually cohering across the continent, this system of enclosure and exclusion is urged upon a populace seemingly willing to accept its necessity and to contribute to its building.
2015
Follows the lead up to the selection of the European Council's first President.
2011

Follows unaccompanied child migrants, on their journey through Mexico, as they try to reach the United States.
2009

Twenty-five films from twenty-five European countries by twenty-five European directors.
2004

While travelling the roads of the Quebec countryside, one often sees off-beat structures and fabulous installations. These curious constructions are the work of local people who, even with no artistic training, are compelled by an almost-visceral desire to create. This film shows us the work and everyday life of three such artists. Harshly judged by their compatriots, they face the devastating reality of living on the fringe of a society that seeks to ostracize them at all cost.
2003
It was the biggest escape in the history of the Berlin Wall: in one historic night of October 1964, 57 East-Berliners try their luck through a tunnel into West Berlin. Just before the last few reach the other side, the East German border guards notice the escape and open fire. Remarkably, all the refugees and their escape agents make it out of the tunnel unscathed, but one border guard is dead: 21-year-old officer Egon Schultz.
2001
Tracking missing socks in the European Union.
1999

Sistine Chapel is an audio-visual collage of new footage and samples from Paik’s past videos, which featured many of his friends, collaborators, and public figures. It was Paik’s own way of summarizing his artistic career with video. The film installation consists of fast-paced and overlapping images that completely cover the gallery walls and ceiling—one of the most under-appreciated parts of architecture, according to Paik. With its electronic visuals and booming audio, interspersed with periods of silence, the immersive installation stands in stark contrast to the experience of its namesake.
1993